A Quote by Audrey Niffenegger

Our love has been the thread through the labyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust.
Clare, I want to tell you, again, I love you. Our love has been the thread through the labyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust. Tonight I feel that my love for you has more density in this world than I do, myself: as though it could linger on after me and surround you, keep you, hold you.
As a high wire walker, I do not allow myself to 'leave the wire' during a performance.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
Designing is a lot like a high-wire act - if the tightrope walker is only six inches off the ground, where's the excitement?
The law is not known, since there is nothing in it to know. We come across it only through its action, and it acts only through its sentence and its execution. It is not distinguishable from the application. We know it only through its imprint on our heart and our flesh: we are guilty, necessarily guilty. Guilt is like the moral thread which duplicates the thread of time.
Hope is an essential thread in the fabric of all fantasies, an Ariadne's thread to guide us out of the labyrinth ... Human beings have always needed hope, and surely now more than ever.
The greatest thing about the call-in show is that you always felt like you were on a high wire without a net.
It will be easy for us the first time we receive that ball of yarn from Ariadne (love) and then go through all the mazes of the labyrinth (life) and kill the monster. But how many there are who plunge into life (the labyrinth) without taking that precaution?
He, who every morning plans the transactions of the day, and follows that plan, carries a thread that will guide him through a labyrinth of the most busy life.
Trust strikes at the heart of our success at JetBlue. Trust is key to the speed of our growth. The Speed of Trust articulates better than any book that trust is the one thing that changes everything-in business and in life. With high trust, success comes faster, better, and at lower cost.
All I’ve ever done is dream. That, and only that, has been the meaning of my existence. The only thing I’ve ever really cared about is my inner life. My greatest griefs faded to nothing the moment I opened the window onto my inner self and lost myself in watching. I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.
How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.
I am fascinated by the engineering. The science of constructing and understanding why it stands. And I am drawn by the madness, the beauty, the theatricality, the poetry and soul of the wire. And you cannot be a wire-walker without mingling those two ways of seeing life.
You're out there on a high wire without a net, and that's the way actors operate. They have to be fearless about how they work and they have to create a life for the audience in 90 minutes and make them believe.
I know it is possible not only to restore trust but to actually enhance it. The difficult things that we got through with the important people in our lives can become fertile ground for the growth of enduring trust - trust that is actually stronger because it's been tested and proved through challenge.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
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