A Quote by Audrey Niffenegger
Sometimes a thing is—too much—and it has to be isolated and put away." Martin shrugged. "So what's in the boxes is—emotion. In the form of objects."-Her Fearful Symmetry
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I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Not being invited in is one of the boxes on the “suspicious behavior” bingo form that every copper carries around in their head along with “stupidly overpowerful dog” and being too quick to supply an alibi. Fill all the boxes and you too could win an all-expenses-paid visit to your local police station.
If there is any form of contagion that is adaptive, it is the immediate response to the fear of others. If others are fearful, there may be good reason for you to be fearful too.
I think Robert F. Kennedy really, finally, cared; he realized that all of the rhetoric had to be put down into some form of action. That's perhaps the reason they killed him. They don't care what you say, you can say as much as you want to, provided you don't do anything. If you start to do something and your shuffling raises too much dust, they will disestablish you. That's what happened to Martin Luther King.
Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.
Our notion of symmetry is derived form the human face. Hence, we demand symmetry horizontally and in breadth only, not vertically nor in depth.
The objects you decide to keep, the ones that gave you the spark of joy? Treasure them from now on. When you put things away, you can actually audibly say, 'Hey, thank you for the good work today...' By doing so, it becomes easier for you to put the objects away and treasure them, which prolongs the spark of joy environment.
I would say, stay the hell away from the party scene. Anything you put in front of your goal, and especially something like that, whether it's too much gambling, too much food, too much cold beers on the weekend - anything that you put in front of the prize is going to end up getting in the way and hurting you in the end.
God is always bigger than the boxes we build for God, so we should not waste too much time protecting the boxes.
I would say, stay the hell away from the party scene. Anything you put in front of your goal, and especially something like that, whether it's too much gambling, too much food, too much (sic) cold beers on the weekend - anything that you put in front of the prize is going to end up getting in the way and hurting you in the end.
So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design.
Any schemes - such as 'think of symmetry laws', or 'put the information in mathematical form', or 'guess equations'- are known to everybody now, and they are all tried all the time. When you are stuck, the answer cannot be one of these, because you will have tried these right away...The next scheme, the new discovery, is going to be made in a completely different way.
I had this thing about not giving too much of myself away, so I thought, if I sang lyrics, that's giving too much away. You know, I really didn't want to give myself away.
I was so afraid of wanting too much that I couldn't trust her handing me a shot at getting it. I don't want to be that senselessly fearful ever again.
Here was a thing that would grow old; here was a thing that would turn beautiful and lose that beauty, that would inherit the grace but also the bad ear and flawed figure of her mother, that would smile too much and squint too often and spend the last decades of her life creaming away the wrinkles made in youth until she finally gave up and wore a collar of pears to hide a wattle; here was the ordinary sadness of the world.
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