A Quote by Audrey Tautou
Because I don't do five films a year, people maybe think that acting is not essential to my life. But if I worked any more than I do, I'd have no personal life.
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I want to be talked about for the films I am doing rather than a party I attended, the dress I wore, and the men I may have met and dated. In any case, by and large I think I have spoken about more for the profession I am in than my personal life. That's the way I like it because frankly, I don't really have a personal life to begin with.
I'm probably more personal when I'm acting than at any other time. More open, more direct. Because it allows me to be something that I can't always feel comfortable with when I'm living my own life, you know? Because it's make-believe.
Acting is something I love. It's a great craft that I have a lot of respect for. But I don't think it's any greater challenge than teaching 8-year-olds or any other career. In my life, I try not to make it more important than it is and I just hope that rubs off on the people around me.
SELF-DISCIPLINE, more than any other personal quality I can think of, is the one thing that separates successful people from the unsuccessful. Think of all it encompasses: honoring commitments, promises and deadlines, keeping your life on schedule, being willing to go the extra mile... Self-discipline is essential to success. The alternative is a life ruled by emotions, and none of us can afford that if we're going to fulfill our purpose and realize our potential.
Working 24 hours a day isn't enough anymore. You have to be willing to sacrifice everything to be successful, including your personal life, your family life, maybe more. If people think it's any less, they're wrong, and they will fail.
Life is not about acting in films alone. There are so many things in life other than films and acting.
I love to not work. I love to go to the movies, I like to travel... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation [cameo?] in a film. But I work for half a year, no more.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
You think maybe if you just work harder and faster, you can hold off the chaos, but then one day you’re changing a patio light bulb with a five-year life span and you realize how you’ll only be changing this light maybe ten more times before you’ll be dead.
It's always agonising to separate my life as an actress and personal life. Just because I'm happy with my acting life doesn't mean I'm happy with my personal life. I'm always making an effort to balance between the two.
John was the smartest and most amazing comedian I've ever worked with. I think more than teaching me about acting or comedy, he taught me about life and the love of people and respect of people.
Maybe I just have a different line than other people in terms of where my personal emotional space becomes public and private. There's almost nothing I wouldn't tell somebody about my quote - unquote "personal life" if they asked in any conversation. There's nothing I've done or said that's that great. I don't see anything I've done to be that different than any other normal person.
I enjoy wearing a saree more than a mini skirt and maybe that has come off as bad acting in some of my films, because I didn't fit in there.
I think money is essential to happiness and right now I wouldn't want to be anyone other than Wilbur Smith - I've had a fantastic life, rewarded far more heavily than I deserve. Maybe I'd like to be J. K. Rowling, but I'll settle for second best.
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member is searching for his or her own "personal space" and they expect the poet to be a sort of avatar of the private life. But that sort of representation is distasteful to me. Asking a poet to represent the personal life is, paradoxically, to turn the poet into something other than a person.
Who do you think, as you gaze at the entire scene in Washington, who is it that's acting like a bunch of children? It isn't Trump. Who is it throwing the tantrums because they didn't get their way? Who is it acting like hysterical spoiled brats because their side lost the game? Who is it that's insisting, because they lost the game, that the rules be changed? Who is it that's acting like any average eight- to nine-year-old kid who's told he can't have any more Twinkies or whatever kids - marijuana; I don't know.
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