A Quote by Audrey Tautou

I don't know where I'm going to be in three years. Because I have the feeling that the future is so full of possibilities, to stop being an actress, to do something else... for me, the future is just a huge bunch of discoveries.
As time goes on we become old, the future contracts, the past expands...But by future we don't just mean the years ahead; we always mean as well the plenitude of possibilities which challenge our creativity...In confrontation with the future we can become young if we accept the future's challenges.
I don't think, because I'm going to school for something else, that I will stop being an actress.
Why don't we all just go crazy when we know were going to croak? Because the mind's a monkey. You put things in departments and you go ahead. You go on and plan for the future and assume that the future's going to work out okay. Yet we know that sooner or later we're all going to be eating worms, whether it's fifty years or sixty. It might be tomorrow. It might happen today.
But, it has something to do with having belief in a human future and what that human future is. What is the future of humanity? How does this whole experiment not self-destruct with the environment and everything else going on?
Boom and bust cycles are very difficult for businesses because you're hiring a bunch because you're planning for the future. And if the future is going to be very big, you need to hire people, or suddenly you go to boom to bust, then all of a sudden, you're kind of battening down the hatches and trying to sail, you know, through the storm, it's a different thing. So part of it is making good decisions about, well, how long is a boom cycle going to be, you know, don't plan on it going forever.
We've gone from, in the '50s and '60s, being very optimistic about the future, where the future is all spaceships and The Jetsons and flying cars, to where we were just sure the future was going to be a massive pile of rubble.
There comes a time when the blankness of the future is just so extreme, it's like such a black wall of nothingness. Not of bad things like a cave full of monsters and so, you're afraid of entering it. It's just nothingness, the void, emptiness and it is just horrible. It's like contemplating a future-less future and so you just want to step out of it. The monstrosity of being alive overwhelms you.
But before looking to the future, let's glance back at the road we've traveled these past two years because that is the source of much of the optimism we are all feeling about the future.
What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.
Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it.
The future is an ever-shifting maze of possibilities until it becomes the present. The future I have shown you tonight is not yet fixed. But it is more likely to become so with the passing of every day because nothing is being done to turn it aside. If you would change it, do as I have told you.
It seems to me that what most of us have to fear for the future is not that something terrible is going to happen, but rather that nothing is going to happen... I could sum up the future in one word, and that word is boring. The future is going to be boring.
I realized sometime in the early '80s that if I didn't do something - like planning for the future in a way, a kind of pension or something - that if I didn't do something there and then, I was going to be condemned to forever present my three years as a pop star, condensed, as a stage act for the rest of my life. Because that's normally what happens to people in the pop business.
For students to understand what the future of journalism is going to be, they're going to have to invent it. It's a big idea. We don't know what journalism is going to look like in the next three years, let alone the next 10 years.
Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.
The future is flying home. That's the immediate future. But long-distance future, I plan on being back. I'm not going to end my time here with that loss.
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