A Quote by Audrey Tautou

The Da Vinci Code' was a great experience and I was lucky to be chosen, but I don't like the pressure that goes with all these big things. I don't want to be any more famous at all.
It is no secret that I have read 'The Da Vinci Code' several times. I genuinely believe that 'The Da Vinci Code' and 'Angels And Demons' are, by far, Brown's best works.
Tom Hanks, who starred in 'The Da Vinci Code,' turns out to be related to a number of the historic characters that feature in 'The Da Vinci Code,' including William the Conqueror and Shakespeare.
I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
The Catholic Church is still very angry about The Da Vinci Code - they don't like anything that makes more money in a weekend than they do.
Anti-European politicians tell more myths and fantasies about Europe than you can find in Harry Potter or The Da Vinci Code.
The best book I read this year was 'The Da Vinci Code.'
I will say that adapting a character like Da Vinci really wasn't that dissimilar from doing Batman or Superman. Because all three of these guys are really iconic figures, and yes, Da Vinci was historical, but there's clearly been a lot of mythmaking about him, and a lot of things have been attributed to him that may or may not have happened.
'The Da Vinci Code' is the most popular book of our times.
I don't think many people will re-read 'The Da Vinci Code.'
I found it interesting that as people become more technically oriented all over the world, at the same time people are becoming increasingly spiritual. The success of the Da Vinci code - even though it was a great yawn - also showed people's interest in religion.
'The Da Vinci Code' was pretty awful. A good idea disappointingly handled.
You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
When I wrote 'The Da Vinci Code,' I told myself that this story of Jesus makes more sense to me than the story I read in the Bible.
When books come out on religion today, what are they about, well, Noah's Ark or when we go to heaven, does our body or soul go to heaven? What was the name of the book? The Da Vinci Code. Who is seated at the last supper? Well, as brilliant as Da Vinci was, he didn't know anymore about who was seated at the last super if there ever was a last super than you or I or Yogi Berra. Well, no one is bringing anything new to the table.
It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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