A Quote by Audrina Patridge

I definitely feel much more comfortable in front of the cameras after 'The Hills.' Before, it was much more nerve-racking. — © Audrina Patridge
I definitely feel much more comfortable in front of the cameras after 'The Hills.' Before, it was much more nerve-racking.
It's definitely more nerve-wracking being in front of the cameras, although I'm trying to get better at it.
People expect you to get golds and it puts so much more pressure on you and if you don't it's like you have let yourself down. It is nerve-racking.
It's much more painful to bomb in front of a group of yours peers than it is to not win. Tons of assholes ain't winning awards, but only one guy will be bombing. So, that's much more nerve-wracking.
When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.
The day after I retire I will move back to Japan. That's how much I love Japan. I feel more comfortable there, all my friends are there, my sponsors are mostly Japanese and I feel more fun in Japan.
I always feel vulnerable talking about the poetry aspect of my career because it's little diary entries that I need to sometimes close read, and to reveal that much, it's a bit nerve-racking.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
If I had a little kid in kindergarten somewhere, would feel much more comfortable if I knew on that campus there was a police officer or somebody who was trained with a weapon. I would feel more comfortable.
I realized I was trained my whole life to be an accommodating person, to make sure that everybody is comfortable before I'm comfortable. After giving so much of myself to strangers, I learned to care for myself a little more, especially on tour.
I don't have this fantasy about marriage anymore. Everyone says it takes hard work. Well, it kind of does -- and I'm much more pragmatic about romance than I used to be. [With Scott] I wanted to see him as a white knight and was crushed whenever anything normal happened. I wanted to be the princess. Now I'm much more willing to see myself as human and flawed, and accept someone -- the whole picture. My life is definitely changing for the better. I couldn't be happier or feel more comfortable with the direction it's going in.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
I feel much more comfortable as an artist collaborating with others because I feel more mature.
I'm sure I cause just as much consternation for editors as any other actor, it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.
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