A Quote by August Alsina
I never want to be the one causing a ruckus. I never want to be problematic in any kind of way.
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I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.
You never want to bite the hand that feeds you, but you also do not want to be aiding and abetting problematic behavior.
I've never wanted to be a doctor, I've never wanted to be an engineer, I've never had that goal, but when you're around people who are successful, you kind of feel some type of way like, I don't want to be a doctor or lawyer but I do want to be successful.
What I admire most about Hillary is that she never buckles under pressure. She never takes the easy way out. And Hillary Clinton has never quit on anything in her life. And when I think about the kind of president that I want for my girls and all our children, that's what I want.
I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in life. And I am horribly limited.
Any decision that's made about my career is ultimately my decision, and it's helped me not to plan too much. I've never been the guy thinking, 'I want to do a play this year, I want to do this kind of movie or this kind of character.' I don't have that sort of control.
I want to see my grandchildren grow up. I want to be there for my friends. I want to be able to love the person in my life. I want to work. I want to do something I've never done, which is save money. I've never bought anything. I have nothing.
And you're not the kind of girl I want." Surely he couldn't mean the fact that I was Mexican. From what I knew of Hardy, there wasn't a bit of prejudice in him. He never used racist words, never looked down on someone for things they couldn't help. "What kind do you want?" I asked with difficulty. "Someone I can leave without looking back.
If there is any kind of legitimate ostalgia, it's for everything we've never even seen, the women we've never slept with, never dreamed of, the friends we haven't made, the books we've never read, all the food steaming in the pots we've never eaten out of. That's the only real kind of nostalgia there is.
This kind of knowing you can never tell to anyone. If you want us to survive, you cannot trust a soul'... 'Not for any reason on this earth. You can never tell.
One of the greatest struggles of bureaucracies is they get built and created, but they design themselves in such a way that they can never be at fault. They can never be wrong, they can never have made a mistake and they never want to relent.
I've never been one of those to kind of like, 'I want somebody to do something against their nature to titillate me.' That never holds any interest. And I always want people to be who they are and if they're being not who they are I feel like it's false and, therefore, less easy to connect to. I don't need them to kiss or to display physical intimacy. I think that almost becomes too obvious. I love playing in the suggestive.
As an actor, you never want to feel like a tool. You never want to feel like, "Hey, just come here, say this, stop here, look this way," and that's it. You want to have a little input.
I want to let you in on a little secret. There are no problems. There are no problems. There never were any problems, there are no problems today, and there will never be any problems. Problems just mean that the world isn't turning the way you want it to. But in truth, there are no problems. Everything is unfolding as it should. Everything is right. You have to forget about yourself and expand your consciousness until you become the whole universe. The Reality in back of the universe is Pure Awareness. It has no problems. And you are That.
The most problematic word in America is the word "problematic." It's a wuss word used by people to silence language without actually saying that they want to silence you. They don't want to go full fascist.
I've never thought about any kind of prejudice about women in country music because I never felt like it affected me. I was fortunate enough to come about in a time when I didn't feel that kind of energy at all, and it was always my theory that if you want to play in the same ballgame as the boys, you've got to work as hard as them.
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