A Quote by August Alsina
When people hear my story, and see that I came from nothing, they'll see that it's possible for them too.
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Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
People talk to people who perceive nothing, who have open eyes and see nothing; they shall talk to them and receive no answer; they shall adore those who have ears and hear nothing; they shall burn lamps for those who do not see.
I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
I actually spoke to one of the heads of a studio, and he said I confuse middle America. Basically, when they see a black person, they see athlete, they see rapper, or they see criminal or something like that. And then when they hear a British accent, they hear posh, so they hear lawyer or doctor.
You see a guy with one leg, he's got a story. "Land mine '69." You see a guy with one arm, he's got a story, too. "Snow blower, bottle of whiskey." You see a guy with one tooth, what would the story be? "Well, uh, I like a lot of taffy."
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.
So, to see the response to the Kickstarter, and to see people actually really want to see, hear what I'm doing, hear what comes out of my own mind, is really an incredible experience.
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
Beauty is undefinable in language. It's something that you see when you see it, or you feel when you feel it, or you hear when you hear it. It usually encompasses all five of the senses. It can't exist without it being a somehow sensorial experience. But, I don't think it's quantifiable. Nothing is really quantifiable. Nothing is certain in love and friendship. We all try to understand these things.
Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.
Me? What am I? Nothing. The legs on which dinner comes to the table, the arms by which cocktails enter the living room, the hands that drive cars. I am the eyes that see nothing, the ears that don't hear. I'm invisible too. They look and don't see me. When they move, I have to guess their direction and get myself out of the way.
How abundantly do spiritual beings display the powers that belong to them! We look for them, but do not see them; we listen to, but do not hear them; yet they enter into all things, and there is nothing without them.
People see themselves as 'succeeding' because they are individually exceptional -- they don't see that there is a mechanism that has made it possible for them.
I cannot see the short, white curls
Upon the forehead of an Ox,
But what I see them dripping with
That poor thing's blood, and hear the ax;
When I see calves and lambs, I see
Them led to death; I see no bird
Or rabbit cross the open field
But what a sudden shot is heard;
A shout that tells me men aim true,
For death or wound, doth chill me through.
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