A Quote by August Kleinzahler

There is a particular quality of quietude and stillness that suffuses these painterly poems of Carol Ann Davis, so involved with loss, motherhood and the shifting tonalities of light that transform the domestic and ordinary into the strange and extraordinary that, combined with tenderness of address, approach the worshipful and make a number of these poems so moving and distinctive.
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
When everything is moving and shifting, the only way to counteract chaos is stillness. When things feel extraordinary, strive for ordinary. When the surface is wavy, dive deeper for quieter waters.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
The idea is to take the most ordinary things and make them extraordinary, as Gerard Manley Hopkins does in his poems.
For me, it makes sense to address shocking experiences through poems because of the way poems also have that effect on the reader.
You can make poems out of anger as well as tenderness. You can make poetry out of anything. It can be the ugliest of emotions. It doesn't have to be sweetness and light.
Sandra Kasturi's magical poems transform the ordinary into the surreal and exotic.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
Clouds are poems, and the most moving poems linger on the blackboard so long, written in cursive so lovely, they also exist inside our fingertips. We never really erase them at the end of the lesson.
You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem "C." I have a number of poems whose titles are letters of the alphabet:?A, B, C, D, E, F.
I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.
It's fun to see someone grow as a writer, moving from their first workshopped poems to publishing their earliest poems to having a book accepted for publication. It's great to see poets with persistence succeed.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
Lizzie Harris's Stop Wanting is an unflinching book about a girlhood filled with violence, doubt, vulnerability, and loss. These gorgeously crafted and hauntingly memorable poems are a bleak place full of life, prayer, and the kind of answers only poems like these can provide.
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