A Quote by August Kleinzahler
I've always felt that there's a very thin membrane between madness and alcoholism, and/or destitution and being an OK American guy in a comfortable heated apartment with meatballs and a decent Sauvignon Blanc in the fridge.
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I think the membrane - I say that the membrane between life and death is perilously thin. And I do think the story of Jesus, this great mythical story, can have transforming value in our lives.
The brain of man, like that of all animals is double, being parted down its centre by a thin membrane. For this reason pain is not always felt in the same part of the head, but sometimes on one side, sometimes on the other, and occasionally all over.
I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
If a movie has three decent scenes and a decent character, I think, 'OK, at least they got that guy right.'
I've always been a person that's totally comfortable with my sexuality and showing my affections with my guy friends. At the end of the day, your guy friends are very important; they're the guys that are always going to be there. It's just you being a friend to me and I'm being a friend to you.
Being on a major label is like living at your friend's parent's mansion: It's a lot nicer than any apartment we could afford, and the fridge is always full of food.
I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.
An American is a guy, a rich guy with a family, a decent guy with a family with as many kids as he likes, doing what he wants, working with people that he likes, and enjoying himself to his very old age.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.
I grew up in North Carolina, and they have a soft drink called Sun Drop. I love the diet version of it. It's the greatest thing on the face of the earth. I always have it in my fridge - bus fridge and home fridge.
I had very few friends. We always ate dinner with our parents. We didn't want to go out. American adolescence was a lot wilder than I would have felt comfortable with.
I'm OK with being called plus size, I'm OK with being called fat. If someone is shouting that I'm fat in the street in a derogatory way, then obviously I'm not OK with that, but I'm comfortable using the adjective fat to describe myself, because I am fat.
I've always felt very insecure being around in-laws, even my siblings - like the guy who made a bad decision, or the guy who would never just fess up that I'm not good enough to make it, or I don't have what it takes.
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