A Quote by August Sander

In photography there are no shadows that cannot be illuminated. — © August Sander
In photography there are no shadows that cannot be illuminated.
Don't make friends with shadows; because shadows cannot smile!
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Here is a paradox. It would seem that there cannot be surrealism and photography, but only photography or surrealism.
When the sun is covered by clouds, objects are less conspicuous, because there is little difference between the light and shade of the trees and the buildings being illuminated by the brightness of the atmosphere which surrounds the objects in such a way that the shadows are few, and these few fade away so that their outline is lost in haze.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
I always believed that photography was subjective, interpretive and certainly did not represent the truth, but I did think that its status as a societal and historical referent needed to be both safeguarded and illuminated....now photojournalism is devolving into yet another medium perceived as intending to shock, titillate, sell, distort.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
Live long enough and all weaknesses will be illuminated, but again perhaps that is not all bad for cannot they then begin to become strengths?
There was such a difference, he thought, between the beauty that illuminated, and the beauty that was illuminated.
Fear cannot touch me… It can only taunt me, It cannot take me, Just tell me where to go… I can either follow, Or stay in my bed… I can hold on To the things that I know… The dead stay dead, They cannot walk. The shadows are darkness. And darkness cannot talk
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
Computer photography won't be photography as we know it. I think photography will always be chemical.
A single and distinct luminous body causes stronger relief in the objects than a diffused light; as may be seen by comparing one side of a landscape illuminated by the sun, and one overshadowed by clouds, and illuminated only by the diffused light of the atmosphere.
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