A Quote by August Strindberg

A man with a so-called character is often a simple piece of mechanism; he has often only one point of view for the extremely complicated relationships of life. — © August Strindberg
A man with a so-called character is often a simple piece of mechanism; he has often only one point of view for the extremely complicated relationships of life.
The relationships we have with dogs seem simple enough and often are taken for granted. But these relationships can be deep and mysterious, and not at all simple.
In [my] life ... I did not understand steam machinery, but I tried to understand that much more complicated piece of mechanism - man.
No relationships should be taken for granted. They are what life is all about, the whole point. How we cultivate our relationships is often the greatest determinant of the type of life we get to live.
If you have a piece by Bach, he often develops the piece to such a high level that you can hardly do much more to it. But Saint-Luc wrote very simple baroque music, and so if you do not embellish it, it just falls apart. It's way too simple.
It can be the best of relationships and the worst of relationships - often at the same time. The bond between a mother and daughter is one of the strongest, but it's also among the most complicated.
While white women and men of color also experience discrimination, all too often their experiences are taken as the only point of departure for all conversations about discrimination. Being front and center in conversations about racism or sexism is a complicated privilege that is often hard to see.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
When something happens far back in the past, people often can't recall exact details. Blame depends upon point of view. There may be a villain, but reality is frustrating because it's often ambiguous.
You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.
The American man is a very simple and cheap mechanism. The American woman I find a complicated and expensive one. Contrasts of feminine types are possible. I am not absolutely sure that there is more than one American man.
Endings of one rook and pawns are about the most common sort of endings arising on the chess board. Yet though they do occur so often, few have mastered them thoroughly. They are often of a very difficult nature, and sometimes while apparently very simple they are in reality extremely intricate.
[…] but I believe that things are extremely complicated, and her looking over me was as complicated as anything could ever be. But it was also incredibly simple.
In games against humans, you often win because the opponent blunders a piece, and you can often survive when you do it yourself. Against the computer, you make only one mistake - the last one.
No matter how complicated a problem is, it usually can be reduced to a simple, comprehensible form which is often the best solution.
I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.
What I do is give Ennio Morricone suggestions and describe to him my characters, and then, quite often, he'll possibly write five themes for one character. And five themes for another. And then I'll take one piece of one of them and put it with a piece of another one for that character or take another theme from another character and move it into this character.... And when I have my characters finally dressed, then he composes.
This site uses cookies to ensure you get the best experience. More info...
Got it!