A Quote by August Strindberg
I see the playwright as a lay preacher peddling the ideas of his time in popular form.
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There are but few talents requisite to become a popular preacher; for the people are easily pleased if they perceive any endeavors in the orator to please them. The meanest qualifications will work this effect if the preacher sincerely sets about it.
Preacher to me: 'A dollar for the Lord, brother?' Me to preacher: 'That's all right, I'm headed his way. I'll give it to him when I see him.'
It is not necessary for a preacher to express all his thoughts in one sermon. A preacher should have three principles: first, to make a good beginning, and not spend time with many words before coming to the point; secondly, to say that which belongs to the subject in chief, and avoid strange and foreign thoughts; thirdly, to stop at the proper time.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
I regard these people who are peddling angst and peddling pessimism and all that stuff as so 'two minutes ago'.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
A playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response - not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.
An isolated person requires correspondence as a means of seeing his ideas as others see them, and thus guarding against the dogmatisms and extravagances of solitary and uncorrected speculation. No man can learn to reason and appraise from a mere perusal of the writing of others. If he live not in the world, where he can observe the public at first hand and be directed toward solid reality by the force of conversation and spoken debate, then he must sharpen his discrimination and regulate his perceptive balance by an equivalent exchange of ideas in epistolary form.
I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
As a preacher of the Gospel, our late venerable Bishop must have been heard, to form an adequate conception of his superior excellence and commanding eloquence.
A preacher was operated on for a hernia. As this was about the time of the first world war he was given ether. As he was coming out of the anesthetic a fire broke out in the building next door. As the flames began to show through the hospital windows the nurse pulled the shades down. She didn't want the preacher to think his operation had been a failure.
I know all about improvisation and the free-form that mirrors the chaos of our time, but I do like to feel that the playwright has done some work before I got there.
One of my favorite bloggers who can articulate his ideas clearly is Avinash Kaushik. The only problem? His ideas are so awesome his posts are a mile long, but I promise they are worth the time.
What a large volume of adventures may be grasped within this little span of life by him who interests his heart in every thing, and who, having eyes to see, what time and chance are perpetually holding out to him as he journeyeth on his way, misses nothing he can fairly lay his hands on.
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