A Quote by August Wilhelm von Schlegel
That which exists in nature is a something purely individual and particular. Art, on the contrary, is essentially destined to manifest the general.
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There is a great difference, whether the poet seeks the particular for the sake of the general or sees the general in the particular. From the former procedure there ensues allegory, in which the particular serves only as illustration, as example of the general. The latter procedure, however, is genuinely the nature of poetry; it expresses something particular, without thinking of the general or pointing to it.
Every ignoramus imagines that all that exists, exists with a view to his individual sake; it is as if there were nothing that exists except him. And if something happens to him that is contrary to what he wishes, he makes the trenchant judgement that all that exists is an evil.
People generally will soon understand that writers should be judged, not according to rules and species, which are contrary to nature and art, but according to the immutable principles of the art of composition, and the special laws of their individual temperaments.
Art is a product of nature in general, in the particular form of human nature.
I’d spent my whole life waiting to awake on an ordinary morning in the town that was destined to be my home, in the arms of the woman I was destined to love, knowing the people and doing the work that would make up the changing but essentially invariable landscape of my particular destiny.
Our submission to general principles is necessary because we cannot be guided in our practical action by full knowledge and evaluation of the consequences. So long as men are not omniscient, the only way in which freedom can be given to the individual is by such general rules to delimit the sphere in which the decision is his. There can be no freedom if the government is not limited to particular kinds of action but can use its powers in any ways which serve particular ends.
Art exists through the act of making. It has to somehow be made manifest to another person. It has to do with what one wants to see manifest, what one wants to bring into the world, what one desires to have exist.
I believe it is no wrong Observation, that Persons of Genius, and those who are most capable of Art, are always fond of Nature, as such are chiefly sensible, that all Art consists in the Imitation and Study of Nature. On the contrary, People of the common Level of Understanding are principally delighted with the Little Niceties and Fantastical Operations of Art, and constantly think that finest which is least Natural.
All I want is to preserve that wonderful something which so purely exists between us.
There are two great rules of life; the one general and the other particular. The first is that everyone can, in the end, get what he wants, if he only tries. That is the general rule. The particular rule is that every individual is, more or less, an exception to the rule.
To the mind which looks not to general results in the economy of Nature, the earth may seem to present a scene of perpetual warfare, and incessant carnage: but the more enlarged view, while it regards individuals in their conjoint relations to the general benefit of their own species, and that of other species with which they are associated in the great family of Nature, resolves each apparent case of individual evil, into an example of subserviency to universal good.
The significance of a fact is relative to [the general body of scientific] knowledge. To say that a fact is significant in science, is to say that it helps to establish or refute some general law; for science, though it starts from observation of the particular, is not concerned essentially with the particular, but with the general. A fact, in science, is not a mere fact, but an instance. In this the scientist differs from the artist, who, if he deigns to notice facts at all, is likely to notice them in all their particularity.
I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.
The barrier to success is not something which exists in the real world; it is composed purely and simply of doubts about ability.
But art not only exploits the variety of appearances, it also affirms the validity of individual outlook and thereby admits a further dimension of variety. Since the shapes of art do not primarily bear witness to the objective nature of the things for which they stand, they can reflect individual interpretation and invention.
Drawing the kind of comics that I do takes so long that to specifically address something as transitory as a political matter in it would be about as effective as composing a symphony with hopes that it would depose a despot. On top of that, I personally don't think that my version of art is the best way to deal with political issues at all, or, more specifically, the place to make a point. Not that art can't, but it's the rare art that still creates something lasting if its main aim was purely to change a particular unfair social structure.
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