A Quote by August Wilson
I didn't always value the ways black people talked. I thought, in order to make art out of it, you had to change it.
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When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
No other group in America has so had their identity socialized out of existence as have black women... When black people are talked about the focus tends to be on black men; and when women are talked about the focus tends to be on white women.
I'd always thought that acting was, like, you had to work really hard, you had to change the way you walked, you talked, and all of that. But that's not acting. That's shmacting.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
Marketing is not the art of finding clever ways to dispose of what you make. It is the art of creating genuine customer value.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I've met a few people who had to change their jobs in order to change their lives, but I've met many more people who merely had to change their motive to service in order to change their lives.
I don't think we set out to make 'The East' in order to necessarily change people's hearts; I don't know how much movies actually change people's hearts. We wanted to make something that was thrilling and got you to thinking.
Many change initiatives are poorly thought out, and rolled out prematurely. Others are genuinely good ideas but the proponents underestimate the amount of time needed to make the change. And, I agree, true change usually requires people giving something up and so resistance is pretty well guaranteed for any meaningful change.
Change for me was really hard because I had built myself up to be a certain kind of man my whole life, as men are where I come from. I thought I got to handle things different that's gonna make me feel like a real pussy. For me it was hard to turn the other cheek. Even though it's a stronger choice. It was very hard to make the change, but I had to in order to survive. Otherwise they would have won.
You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call out, 'Hey time's up; we need to vote. We live in this country.' People had to call out 'time's up' on enslaving people, you know.
Our philosophy doesn't change. We're always competing. But the ways to approach it and the ways to make that up and make it available to our players, there's no end to that. That's why the thought is that you're either competing or you're not, and that's why I'm learning and searching and trying to transfer information to our coaches and to our players.
What I became a comedian for was to get my art out. To get some of these feelings and things I had on my chest out. I don't care if people believe them, listen to them, change their ways, or think, or any of that kind of crap. I'm interested in showing off. I'm the same kid from sixth grade who stood up and said "watch this."
Anything that I wanted to do in my career that I wanted to do always worked out. The stuff I got talked into always failed. All the stuff I was talked into, by brilliant managers, because it always came down to, "Know how much money you'll make?" And then it would just fail.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
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