A Quote by August Wilson
My plays are ultimately about love, honor, duty, betrayal.
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I'm trying to take culture and put it onstage, demonstrate it is capable of sustaining you. There is no idea that can't be contained by life: Asian life, European life, certainly black life. My plays are about love, honor, duty, betrayal - things humans have written about since the beginning of time.
From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don't write political plays.
'Anna Karenina' is just a story about a woman falling in love with a bloke who is not her husband. It's gossip, rubbish - on the other hand, it's the deepest story there could be about social transgression, about love, betrayal, duty, children.
Anna Karenina is just a story about a woman falling in love with a bloke who is not her husband. Its gossip, rubbish - on the other hand, its the deepest story there could be about social transgression, about love, betrayal, duty, children.
The thing about Gambit is that he's a man who knows how to adapt to survive. He plays things by ear, depending on the situation, and never feels obligated to follow the rules, because the only rules that matter are his own sense of honor. Ultimately, that sense of honor includes 'doing no harm' - at least, not to the innocent.
To their duty to God, youth should realize their duty to our country. They should love and honor the Constitution of the United States, the basic concepts and principles upon which this nation has been established. Yes, they need to develop a love for our free institutions.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
Betrayal is the deepest wound. Betrayal is what remains of love, when love has gone.
Betrayal answers betrayal, the mask of love is answered by the disappearance of love.
Love is the bane of honor, the death of duty.
Service is the only thing that's important about love. Everybody is worried about 'losing yourself' - all this narcissism. Duty. We can't stand that idea now either... But duty might be a suit of armor you put on to fight for your love.
As young West Point cadets, our motto was 'duty, honor, country.' But it was in the field, from the rice paddies of Southeast Asia to the sands of the Middle East, that I learned that motto's fullest meaning. There I saw gallant young Americans of every race, creed and background fight, and sometimes die, for 'duty, honor, and their country.'
War in the end is always about betrayal, betrayal of the young by the old, of soldiers by politicians, and of idealists by cynics.
I exist not to be loved and admired, but to love and act. It is not the duty of those around me to love me. Rather, it is my duty to be concerned about the world, about man.
I dispute that 'Closer' is about betrayal. Betrayal is one of the elements.
When I got to university, I would read plays and go, 'But these are about the past. Where are the plays that I love about now?' I couldn't find them, so I started writing.
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