A Quote by August Wilson

Anything you want to know, you ask the characters. — © August Wilson
Anything you want to know, you ask the characters.
You're drunk, and I'm drunk, and I'm just exactly drunk enough to tell you anything you want to know. That's the kind of girl I am. If I like a person, I'll tell them anything they want to know. Just ask me. Go ahead, ask me.
In America, they never make anything without first having a market survey to ask the public what they want. People only ask for things they already know about, so you don't get anything new that way. That's why American fashion is stuck.
I always say, when I work with younger actresses, "I'm here." Reese says it, too: "We've lived it. We know things. So if there's anything you want to know." I'm careful not to be the preacher, like, "Now, listen to me!" But I do want to be available. Even in terms of things like finances - where do you learn that, if you don't have people you can ask, "Hey, can I ask you a question?"
If you really want to know about the future, don't ask a technologist, a scientist, a physicist. No! Don't ask somebody who's writing code. No, if you want to know what society's going to be like in 20 years, ask a kindergarten teacher.
A lot of people ask for sequels, but what they really want is just to know the characters are happy and safe.
You can't ask for what you want unless you know what it is. A lot of people don't know what they want or they want much less than they deserve. First you have figure out what you want. Second, you have to decide that you deserve it. Third, you have to believe you can get it. And, fourth, you have to have the guts to ask for it
Ask most kids about details about Auschwitz or about how the American Indians were assassinated as a people and they don't know anything about it. They don't want to know anything. Most people just want their beer or their soap opera or their lullaby.
A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.
Microorganisms will give you anything you want if you know how to ask them.
I love being an actor, and I don't want to be a spokesman for anything, I don't want to do anything crazy or fancy like that. I just love playing characters and getting paid for it, and that's what I want to do till the day I die.
I'm not going to ask for anything unless the workers want it. If they want it, they'll ask for it.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
Earlier, I used to always ask people if they want me to answer as Supriya or Hansa. If they said Hansa, and asked me a question, I would say, I don't know. That's because Hansa doesn't know anything! For me, it was important to reach that state of thing in mind where I don't question anything.
I want to try everything. I don't want to limit myself to anything. I want to discover as many characters as I can. I just want to explore.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
I'm trying to be morally responsible and no more. I don't have an agenda I'm trying to push. People talk about Three Days of the Condor as being anti-government but the last statement in that movie is the CIA guy saying to Robert Redford, "Ask 'em when they're running out. Ask 'em when there's no heat in their homes and they're cold. Ask 'em when their engines stop. Ask 'em when people who have never known hunger start going hungry. You want to know something? They won't want us to ask 'em. They'll just want us to get it for 'em!"
This site uses cookies to ensure you get the best experience. More info...
Got it!