A Quote by August Wilson
Once I started to value and respect my characters, I could really hear them. I just let them start talking.
Related Quotes
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
Directing is genderless. The only thing... I love men. I'm not being mean to them, but they can't hear you. I don't have a husband, and so I'm not really attuned to it, but I didn't know that they could not really hear you. Like, I'm talking, and they just walk away.
I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
It takes a lot to get people talking in airplanes. But once they start talking, you just can't shut them up.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
Okay, this is Fran Lebowitz. She gave an interview once for the Paris Review about trying to write fiction and saying that fiction writers start talking about how characters are talking to them, and it's crazy, she's never had that. And I also thought, I'm never gonna be able to do this, because I didn't feel that for a really long time.
I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
The thing with videogame characters is that they tend to be really undercooked, and people don't take the time to really flesh them out. They don't treat them with the respect that a writer writing characters in any other medium would treat their character.
What happens in a play is determined to a certain extent by what I thought might be interesting to have happen before I invented the characters, before they started taking over what happened, because they are three-dimensional individuals, and I cannot tell them what to do. Once I give them their identity and their nature, they start writing the play.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
When I was talking a lot of trash, a lot of the guys knew that when I started getting serious was when I started getting a little bit quieter. If I started locking up somebody, then I'd start talking even more and I'd talk more aggressive. But once I stopped, they knew I was really serious.
Once I could persuade these guys that all I wanted to hear from them was what they did - Tell me what you do - once you can persuade someone that this is all you're after, you can't shut them up because we're all fascinated by what we do.
It was wrong to capture wild animals and confine them in captivity for people to go and gawk at them. And that's basically how zoos got started. But once you do that, and once you have animals that have been bred in captivity, you're really stuck with them in some sense. You can't return them to the wild.
I'm not a writer that writes every day. I just kind of have ideas. I jot them down when I have them, and when I have enough, I just start. And for me, I start more around noon, and I'm all about feeling. Once there's a theme, I can't not write.
I've had good sex with somebody and just kind of been afterward - "Wow." Once they started opening their mouth and showing their true colors and talking to them and getting to know them more and being like, "OK this is not the person I want to spend the rest of my life with." But we had fun, and that's that.
Related Authors
Abi Morgan Quotes
Welsh
Playwright
Arthur Miller Quotes
American
Playwright
Eve Ensler Quotes
American
Playwright
George Bernard Shaw Quotes
Irish
Playwright
George C. Wolfe Quotes
American
Playwright
Jeff Lindsay Quotes
American
Playwright
Lynn Nottage Quotes
American
Playwright
Moliere Quotes
French
Playwright
Noel Coward Quotes
English
Playwright
Plautus Quotes
Roman
Playwright
Richard Brinsley Sheridan Quotes
Irish
Playwright
Robert Greene Quotes
English
Playwright
Robert Lepage Quotes
Canadian
Playwright
Sam Shepard Quotes
American
Playwright
Tony Kushner Quotes
American
Playwright
William Shakespeare Quotes
English
Playwright