A Quote by August Wilson

If you want to support a writer, produce the first five plays he writes. — © August Wilson
If you want to support a writer, produce the first five plays he writes.
The writer trusts nothing she writes-it should be too reckless and alive for that, it should be beautiful and menacing and slightly out of control. . . . Good writing . . . explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in her head.
A painter paints, a musician plays, a writer writes - but a movie actor waits.
It's become fashionable these days to say that the writer writes because he is not whole, he has a wound, he writes to heal it, but who cares if the writer is not whole; of course the writer is not whole, or even particularly well.
Why does the writer write? The writer writes to serve--hopeless ly he writes in the hope that he might serve--not himself and not others, but that great cold elemental grace that knows us.
Shaw writes plays for the ages, the ages between five and twelve.
I don't know if I'm a writer who plays poker or a poker player who writes.
A writer writes. If you want to be a writer, write.
I think if you can write a play, or produce a play, the first step toward success [is] if people don't want to kill themselves in the lobby. Now there must be four or five other steps, but that's the first.
Only a very specific kind of writer keeps their reader in mind while working. Such writers don't want to irk their readers; they don't want to challenge their readers; they want to produce exactly what their reader expects them to produce. I'm not like that.
A writer writes for writers, a non-writer writes for his next-door neighbor or for the manager of the local bank branch, and he fears (often mistakenly) that they would not understand or, in any case, would not forgive his boldness.
If you're somebody who writes songs or writes fiction, a writer that people pay for your opinion in any way, you shouldn't be the least bit uncomfortable giving it to them. People want songwriters to tell them how they think and how they feel. That's what a song is. That's what I want to hear in a song.
I don't like to work with directors who have taken an adoption from another script writer, because it's too much: one of them writes it and then has to explain it to the other, or maybe the director sees it in a way the writer doesn't want it.
I want to be a writer, not an engineer who writes books.
anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
Malayalam actress Ann Augustine, director V K Prakash, writer Jayaprakah Kulur and I have planned to produce quality dramas and to take it to a wide range of audience. We are making some popular works into stage plays.
writers of novels are so busy being solitary that they haven't time to meet one another. But then, a writer learns nothing from a writer, conversationally. If a writer has anything witty, profound or quotable to say he doesn't say it. He's no fool. He writes it.
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