A Quote by August Wilson

I think that as a playwright, if I detail that environment, then I'm taking away something from them [designers]. I'm taking away their creativity and their ability to have input themselves, not just to follow what the playwright has written. So I do a minimum set description and let the designers create within that.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
I have always appreciated designers who dare to reinterpret fabrics and proportions, so I follow the Japanese and Belgian designers. The pieces are so animated. When they lie still, they are one thing, but once you stand them up or wear them, they become something else.
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
I think if you took away all the designers and automated the process tomorrow, the end result would be really, really dissatisfying and disturbing to a lot of people. So, I think there's a lot of value that print designers have.
If the federal government is going to cost $100 million or more of your jobs going away, at a minimum the people who are elected by the people ought to have to vote and say, yes, I support taking away your job; or no, I don't support taking away your job.
I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
Set designers, costume designers, actors, writers, music, that's what is beautiful.
When I first came to the Bay area, I worked in Silicon Valley in the early to mid-'90s, and I think what mattered then was our ability as designers to create a vision around people's ideas.
I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
Designers, stay away from corporations that want you to lie for them
If we set the precedent that a government can use their royal prerogative to take away people's human rights, that is taking us into a very dangerous political environment.
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