A Quote by August Wilson

I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
The history of slavery in this country has affected not only how black people see themselves, but how white people see black people as well, and the roles they're meant to play... I'm aware of it, as a person of color.
I'm a pop enigma. I live and breathe every element in life. I rock a bespoke suit and I go to Harold's for fried chicken. It's all these things at once, because, as a taste maker, I find the best of everything. There's certain things that black people are the best at and certain things that white people are the best at. Whatever we as black people are the best at, I'ma go get that. Like, on Christmas I don't want any food that tastes white. And when I go to purchase a house, I don't want my credit to look black.
Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
I don't trust white critics' judgment about most things that deal with black life, particularly when a black person is the creator.
The issue of redistribution of resources and wealth needs to resolved systemically, but in the meantime but there are individual spots you can occupy. There are things that you can do on a daily basis that will make a difference in moving the needle in individual lives. When we look at the mentoring of young black kids, for instance, the number-one mentor group is white women. I think after that maybe it's black women, and then white men, and then black men. We can make all kinds of arguments about that.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
I sometimes think they should have said 'Black Lives Matter Too,' because that is really what is being said. The outcry is that historically and presently, the feeling is that black lives don't matter as much as white lives because we don't see the same type of things happening to them.
People look at me, and they don't see what they think is a typical Aboriginal. I always thought I'd be the white person in a black play.
The United States is not a nation of black and white people. Any fool can see that white people are not really white, and that black people are not black.
I'm trying to take culture and put it onstage, demonstrate it is capable of sustaining you. There is no idea that can't be contained by life: Asian life, European life, certainly black life. My plays are about love, honor, duty, betrayal - things humans have written about since the beginning of time.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
If you look hard enough, you can find race issues and racism in everything. I know people who say, 'See, I don't play pool 'cuz that's where the white ball chase the black ball off the table. So I prefer bowling, where the big black ball knock down the white pins with the red necks.'
As you grow older, you'll see white men cheat black men every day of your life, but let me tell you something and don't you forget it - whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, he is trash.
We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.
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