A Quote by Auguste Rodin

The artist has only to trust his eyes. — © Auguste Rodin
The artist has only to trust his eyes.
Do not hate or fear the artist in yourselves... Honor and love him...do not try to possess him. Trust him as nobly as you trust tomorrow. Only the artist in yourself is more truthful than the night.
The artist expresses only what he has within himself, not what he sees with his eyes
A person can perhaps trust his eyes only to the amount of truth his heart does not mind to speak openly to the people to touch their souls in this selfish world full of lies.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
Eyes Tell Stories But do they know how to craft fiction? Do they know how to spin lies? His eyes swear forever, flatter with vows of only me. But are they empty promises? I stare into his eyes, as into a crystal ball, but I cannot find forever, only movies of yesterday, a sketchbook of today, dreams of a shared tomorrow. His eyes whisper secrets. But are they truths or fairy tales? I wonder if even he knows.
O world, thou choosest not the better part! It is not wisdom to be only wise, And on the inward vision close the eyes, But it is wisdom to believe the heart. Columbus found a world, and had no chart, Save one that faith deciphered in the skies; To trust the soul's invincible surmise Was all his science and his only art.
That is an artist as I would have an artist be, modest in his needs: he really wants only two things, his bread and his art--panemet Circen.
What do you think an artist is? An imbecile who has only his eyes if he's a painter, or ears if he's a musician, or a lyre at every level of his heart if he's a poet, or even, if he's a boxer, just his muscles? On the contrary, he's at the same time a political being, constantly alive to heart-rending, burning, or happy events in the world.
By the time those electric blue eyes seek me out in the stands, my heart throbs fiercely in my temples, and my insides bubble with emotion when he spots me. He stares straight into my eyes, and his eyes are only mine, and his smile is only mine, and for this fraction of an instant, nothing else matters but us.
To see is one thing; to picture or visualise is another. A person can see things, only when his eyes are open, and when his surroundings are illuminated; but he can have pictures in his mind's eye, when his eyes are shut and when the world is dark.
A photograph presents itself not only as a visual representation, but as evidence, more convincing than a painting because of the unimpeachable mechanical means whereby it was made. We do not trust the artist's flattering hand; but we do trust film, and shadows, and light.
Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
The artist's imagination may wander far from nature. But as long as it is a living, moving power in his brain, isn't it just as real as any other natural phenomenon? The artist justifies his existence only when he can transform his imagination into truth.
Whatever I see, I trust my eyes, trust my reads, trust the guys running routes and kind of just let it go.
I would never see him again. But as I watched the tunnel race before my eyes, I was certain of one thing: I did trust him. Now I had only to trust in myself.
The worst evil which can befall the artist is that his work should appear good in his own eyes.
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