A Quote by Augusten Burroughs

There's never a false note in a Berg novel. — © Augusten Burroughs
There's never a false note in a Berg novel.
The Dream Lover is a historical novel at once expansively researched yet intimately imagined. George Sand may be the ultimate Berg heroine. 'A life not lived in truth,' Berg writes, 'is a life forfeited.' In this latest work, Elizabeth Berg has poured her own great gifts and her own great heart into the story of a woman determined to refuse any such forfeiture, no matter the cost.
The Dream Lover-what a bold, insightful, and enticing novel. And how vigorously Elizabeth Berg brings us the iconoclastic life of George Sand. Berg writes with such intimacy and compassion that I think she must have some shared ancestral DNA with Sand. I savored every page.
The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.
Woody is so musical in his filmmaking. I've never worked with anyone I've trusted so completely. He won't let you hit a false note.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
There is nothing in the world more difficult than candor, and nothing easier than flattery. If there is a hundredth of a fraction of a false note to candor, it immediately produces dissonance, and as a result, exposure. But in flattery, even if everything is false down to the last note, it is still pleasant, and people will listen not without pleasure; with coarse pleasure, perhaps, but pleasure nevertheless.
There never was a false god, nor was there ever really a false religion, unless you call a child a false man.
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
Sometimes it's Tune-berg, sometimes Thunn-berg. I mean, I think it's funny that everyone pronounces it differently. So, that is just - I don't mind anyone pronouncing it wrong. There's no wrong way to pronounce it. Everyone pronounces it in their own way.
I had written a novel that was more of a classic linear novel, and I worked on it and worked on it for years, and it always seemed like it wouldn't catch fire. At a certain point I just scrapped it all, and I kept maybe 15 percent of it, and I wrote those parts out on note cards.
Because you see darling, darling, there are no false questions. All questions in life are true questions. Answers may be false, but questions cannot be false. Sure,they can be dumb, they can be stupid, but never false.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
There's always a moment when you start to fall out of love, whether it's with a person or an idea or a cause, even if it's one you only narrate to yourself years after the event: a tiny thing, a wrong word, a false note, which means that things can never be quite the same again.
I believe that art has a kind of rightness, as in music, when we hear whether or not a note is false
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