A Quote by Augusten Burroughs

Once I decided to write, to be published, I knew it would happen. — © Augusten Burroughs
Once I decided to write, to be published, I knew it would happen.
Somewhere along the line, I realized that I liked telling stories, and I decided that I would try writing. Ten years later, I finally got a book published. It was hard. I had no skills. I knew nothing about the business of getting published. So I had to keep working at it.
I'd wanted to be a writer since I was knee-high. Once I knew that books were written by people and didn't just happen, it was obviously that I would write them, too.
I went with the old adage that you should write what you know. What I knew was 18th century Britain, so what I decided I would do is write a novel based on my dissertation research.
I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.
I felt that I had to write. Even if I had never been published, I knew that I would go on writing, enjoying it and experiencing the challenge.
I think both of us [ with Steve Oram], once we decided to do comedy, knew that we would have to come to London to do that.
'Thirteen Orphans' is the name of a specific limit hand. The same combination is also called 'Thirteen Improbable.' Once I'd decided I wanted to write a tale where mah-jong would be at the heart, I also knew I wanted to use limit hands.
And you know when I was growing up, I knew I wanted to have kids, but I knew I didn't want to do it alone. Then once I was 41, 42, I had to accept that I probably wouldn't have kids unless I decided to adopt later on, but even then it would be with a partner.
The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.
It took seven years from the day I decided I wanted to write fiction to actually getting a book published.
I knew it would happen. I knew I'd be No. 1. I'm a new artist; I don't know the rules. Nobody told me it wouldn't happen.
I knew it would happen. I knew I'd be No. 1. I'm a new artist; I don't know the rules. Nobody told me it wouldn't happen
I decided that I would write one story about each thing that I knew about.
I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
The day I decided I didn't want to be a 19th-Century European curator, I knew I would never have the experience of people coming and going 'ooh' and 'aah,' the way they do around the Monets. It just doesn't happen.
Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published.
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