A Quote by Augusten Burroughs

I loved most when his eyelashes twitched and he blinked, and suddenly happiness was there inside his eyes. Unmistakable. Like a single word printed on a clean white page.
Jack was mid-jump when I burst into my room. I snatched his ankle,flipping him horizontal.He crashed down hard to my bed and rolled off onto the floor. And laughed. "Let's do that again! But this time I'll jump even higher." "No! No,you won't! What are you going here?" He sat up on the floor and shrugged. "I was bored." "I don't care! I'm not your babysitter!" His blue eyes twinkled.Honestly, whose eyes actually twinkle? Then his face crumpled,his lower lip jutting out.He blinked his ridiculously long eyelashes at me. "I thought we were friends." "Oh,knock it off.
Like a word on a page that you’ve printed and read a million times, that suddenly looks strange or wrong, foreign. And you feel scared for a second, like you’ve lost something, even if you’re not sure what it is.
You want this?" His voice was hoarse. "Yes," she said. "Do you?" His finger traced the outline of her mouth. "For this I would have been damned forever. For this I would have given up everything." She felt the burn behind her eyes, the pressure of tears, and blinked wet eyelashes. "Will ..." "Dw i'n dy garu di am byth," he said. "I love you. Always." And he moved to cover her body with his own.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
His eyes beheld beauty not in reality but in the printed word. Standing in the waiting-room, he realized that in his life he had accepted secondary experience -- the experience of reading someone else's thoughts -- over real life.
I think Oscar Wilde wrote a poem about a robin who loved a white rose. He loved it so much that he pierced his breast and let his heart's blood turn the white rose red. Maybe this sounds very sentimental, but for anybody who has loved a career as much as I've loved mine, there can be no short cuts.
Nearly all the Gauls are of a lofty stature, white, and of ruddy complexion; terrible from the sternness of their eyes, very quarrelsome, and of great pride and insolence. A whole troop of foreigners would not be able to withstand a single Gaul if he called his wife to his assistance, who is usually very strong, and with blue eyes
God is most beautifully praised when His people hear His Word, love His Word, and obey His Word.
I'm trying to keep"? he huffed, shifting his weight as the treetop bounced him?"my promise!" I blinked my wet blurry eyes, suddenly sure that I was dreaming. "When did you ever promise to kill yourself falling out of Charlie's tree?
If I looked at some of these pieces as if this project was not spoken-word but just short anthology, I probably would have fussed with some of the sentences, you know? Syllabication and prosody and such crap. Because the printed word is etched in stone. But for reading purposes I accepted this book of texts in the manner in which I wrote them, no need to fuss. Most of the shorter stuff was written as poetry. Meaning lots of white space on the page.
A wind blew, and the sand around his drawing scattered. He wrapped his fingers inside his wife's, and Father Time rekindled a connection he had only ever had with her. He surrendered to that sensation and felt the final drops of their lives touch one another, like water in a cave, top meets bottom, Heaven meets Earth. As their eyes closed, a different set of eyes opened, and they rose from the ground as a shared south, up and up, a sun and a moon in a single sky.
We look into each other's eyes as we shake. His are still full of death and horror, but in them I see my face reflected, and inside my tiny eyes inside his, I think I see some hope.
Small, red, and upright he waited, gripping his new bookbag tight in one hand and touching a lucky penny inside his coat pocket with the other, while the first snows of winter floated down on his eyelashes and covered the branches around him and silenced all trace of the world.
I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33”, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page.
Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.
The laughter in his deep-set black eyes, the feverish heat of his big hand around mine, the flash of his white teeth against his dark skin, his face stretching into the wide smile that had always been like a key to a secret door where only kindred spirits could enter.
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