A Quote by Augusten Burroughs
I don't think writers - in general - ever achieve the fame of movie stars. For the simple reason that only a fraction of the population reads. But I guess there are exceptions.
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
It doesn't occur to me that I don't drive a cool car until I hang out with Jon Hamm, who picks me up in what looks like a Transformer, and I think, 'Oh, that's what movie stars are driving. I guess I'm not a movie star.'
A businessman who reads Business Week is lost to fame. One who reads Proust is marked for greatness.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
Some writers achieve great popularity and then disappear forever. The bestseller lists of the past fifty years are, with a few lively exceptions, a sombre graveyard of dead books.
The youthful brain should in general not be burdened with things ninety-five percent of which it cannot use and hence forgets again... In many cases, the material to be learned in the various subjects is so swollen that only a fraction of it remains in the head of the individual pupil, and only a fraction of this abundance can find application, while on the other hand it is not adequate for the man working and earning his living in a definite field.
People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity. Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves.
The general population still thinks HIV is something that came in the 80s and went away, or that it only affects the gay population or intravenous drug users.
At the extreme temperature occurring in the stars, matter can only survive in its most dissociated states. Only simple bodies exist on these incandescent stars.
Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.
I don't treat my family any differently because they're on television. I've always had a problem grasping fame. I don't think I understand fame, and I don't think I ever will. I think that anybody who thinks that they understand fame, they're doing it for the wrong reasons.
Somewhere along the way, we made it unpopular to value oneself outside the structure of fame. We created these new categories, even - reality stars, YouTube stars, Instagram-famous, Twitter-famous - when we enlarged the fame game board to allow new valuations within the fame structure to accommodate as many people as possible.
There are complicated processes going on in society in the Crimea. There are problems of the Crimean Tatars, the Ukrainian population, the Russian population, the Slavic population in general, but this is Ukraine's domestic political problem.
It's a tougher gig than what people think it is. The proper, real, genuine, worldwide movie stars don't get a lot of downtime from the world outside. That's a tougher price, I think, than what people's fantasy of fame account for.
There's a panic, a rush, to this 'achievement' of fame. There's also the ambivalence of fame: the love of it and the hatred of it. We sometimes hate the famous while, at the same time, straining to achieve fame oneself.
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