A Quote by Augusten Burroughs
When I first thought of being a writer I had visions of stacks of books in stores with my name on them, that sort of thing. But I never imagined this would be the reaction.
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I've always done more than I ever thought I would. Becoming a professor - I never would have imagined that. Writing books - I never would have imagined that. Getting a Ph.D. - I'm not sure I would even have imagined that. I've lived my life a step at a time. Things sort of happened.
The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. You know, my fantasy of being a famous writer, and again there's a slight disconnect with reality which happens a lot with me. I imagined being a famous writer would be like being like Jane Austen.
The thought of these vast stacks of books would drive him mad: the more he read, the less he seemed to know — the greater the number of the books he read, the greater the immense uncountable number of those which he could never read would seem to be…. The thought that other books were waiting for him tore at his heart forever.
Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.
It was a sort of organic thing. I never went, 'I must be an actress.' I thought, 'I think I could do this. I think I could be good at this.' I would just get sort of hungry when I read something I thought I can do well, whether it was in books or in scripts or if I saw a certain movie. It sort of happened quite naturally.
A reader's tastes are peculiar. Choosing books to read is like making your way down a remote and winding path. Your stops on that path are always idiosyncratic. One book leads to another and another the way one thought leads to another and another. My type of reader is the sort who burrows through the stacks in the bookstore or the library (or the Web site — stacks are stacks), yielding to impulse and instinct.
There were two sets of double doors leading out of the antechamber, one marked STACKS and the other TOMES. Not knowing the difference between the two, I headed to the ones labeled STACKS. That was what I wanted. Stacks of books. Great heaps of books. Shelf after endless shelf of books.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."
All I thought about when I wrote my stories was, "I hope that these comic books would sell so I can keep my job and continue to pay the rent." Never in a million years could I have imagined that it would turn into what it has evolved into nowadays. Never.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
The weirdest thing to me is that magazines would never do this for their writers. They would never hire a writer who writes for another magazine; they want to have their own stable of writers. Newsweek would never hire a TIME writer, and TIME would never hire a Newsweek writer - but they would both hire the same photographer to shoot a cover for them.
An object is not first imagined or thought about and then expected or willed, but in being actively expected it is imagined as future and in being willed it is thought.
For the second series of 'Luxury Comedy', I tried to drop the 'Noel Fielding' from it. I thought that would make it less like a solo project and more like a show. Also, it would probably have been easier to take the reaction to the first series if it had been a project rather than my name and face!
He realized that he had thought only about the first step, never imagined the last.
When I was a kid, we had this great advantage of there being no YA books. You read kid books and then went on to adult books. When I was 12 or 13, I read all of Steinbeck and Hemingway. I thought I should read everything a writer writes.
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