A Quote by Augusto Boal

The Theatre of the Oppressed is theatre in this most archaic application of the word. In this usage, all human beings are Actors (they act!) and Spectators (they observe!).
All human beings are Actors (they act!) and Spectators (they observe!).
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
When does a session of The Theatre of the Oppressed end? Never - since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
I tried theatre. I played Miss Hannigan for a short run of Annie at a regional theatre. That was fun. I enjoyed it! I enjoy theatre and have so much respect for theatre actors.
Collaboration to me is... my favorite collaboration in the theatre is the collaboration between the actors and the audience because it's just that thing that happens when the only thing left that is left on the human scale is that human beings come to look at other human beings act out stories.
I love theatre. I think it's the home of most actors...most actors start with it. It's so enjoyable to do and to be able to see your audience. And the process of theatre is great.
Learning to write for the theatre is learning to be a human being, because the theatre by its very nature makes you deal with other human beings.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
We will get back to the earlier, instinctive and less inhibited nature of theatre. Today, spectators are passive, but Elizabethan, Greek and Roma; theatre was interactive.
Most theatre is still really bad. It has to appeal to people who do jobs and have lives. Theatre about theatre is the most awful, terminal nonsense.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
Theatre's great. It's such an act of faith. It's a wonderful art form where you suspend disbelief for a couple of hours. It's a lovely art form because the actors and the audience are alive and in the room at the same time together. That's why I love the theatre.
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