A Quote by Augusto De Luca
All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.
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I go through periods where I work a great deal at all hours of the day whenever I am around a typewriter, and then I go through spells where I don't do anything. I just sort of have lunch - all day. I never have been able to stick to a schedule. I work when there is something due or when I am really excited about a piece.
Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.
Once you learn to 'speak' money - which is what I felt I did through the research that led me to write 'Whoops!' - you start to see it at work all around you. It's like a language, a code written on the surface of things; it's in flow all around us, all the time.
Whenever you drop something by fight, it is never dropped. You can drop smoking by fighting, and then you will start doing something else which will become a substitute. You may start chewing gum, it is the same; You may start chewing pan, it is the same, there is no difference. You need something to do with your mouth - smoking, chewing, anything. When your mouth goes on working, you feel at ease because through the mouth tensions are released. So whenever a man feels tense he starts smoking.
For younger athletes - women, especially, if it's a male-dominated sport - I'd say be very careful to just be true to yourself. I spent a lot of time trying to emulate how a male wrestler was. They're tough, they're very confident, they don't show a lot of emotion, and they push through everything. That's not me at all. I'm a wrestler but I have emotions, I'm sensitive. When I stopped trying to be something that I wasn't, I felt like I was freeing myself up to find ways to make it work for myself.
Nature is a mirror in which I am reflected, because by rescuing this land from sad devastation [through recreating it in photographs], I am in fact trying to save myself from my own inner sadness.
I'm not crazy about having lots of time to myself. Whenever I come back from filming away, I immediately want to go and see my friends and my family and re-establish my life. I can fill time when I'm alone, but I love being around other people.
There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.
My importance to the world is relatively small. On the other hand, my importance to myself is tremendous. I am all I have to work with, to play with, to suffer and to enjoy. It is not the eyes of others that I am wary of, but of my own. I do not intend to let myself down more than I can possibly help, and I find that the fewer illusions I have about myself or the world around me, the better company I am for myself.
For me, photographs take their power from memory and emotion. A picture tells its own story, shaped by the mood or insights of the person you are at the time you see it.
In building a path through the self to the far shore of awareness, we have to carefully pick our way through our own wilderness. If we can put our minds into a place of surrender, we will have an easier time feeling the contours of the land. We do not have to break our way through as much as we have to find our way around the major obstacles. We do not have to cure every neurosis, we just have to learn how not to be caught by them.
The only funny part about Colonial Dunsboro is maybe it's too authentic, but for all the wrong reasons. This whole crowd of losers and nutcases who hide out here because they can't make it in the real world, in real jobs — isn't this why we left England in the first place? To establish our own alternate reality. Weren't the Pilgrims pretty much the crackpots of their time? For sure, instead of just wanting to believe something different about God's love, the losers I work with want to find salvation through compulsive behaviors.
A city is the place of availabilities. It is the place where a small boy, as he walks through it, may see something that will tell him what he wants to do his whole life.
I can't work out much about myself or what I see in the world around me unless I do it through writing.
You can’t go on “seeing through” things forever. The whole point of seeing through something is to see something through it. To “see through” all things is the same as not to see.
I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
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