A Quote by Augustus John
A painter leaves his emotions behind him for posterity to share.
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It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
The man who dies leaving behind him millions of available wealth, which was his to administer during his life, will pass away unwept, unhonoured and insung no matter to what uses he leaves the dross which he cannot take with him.
Give a man a car of his own and he leaves humility and common sense behind him in the garage.
Man is the only creature we know, that, when the term of his natural life is ended, leaves the memory of himself behind him.
Glad tidings to the one who leaves the world before it leaves him, prepares for his grave before he enters it, and pleases his Lord before he meets Him.
The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study governs his combinations of them.
Inarticulate wretches have been behind most of the major advances in civilization. If Vincent Van Gogh had been able to get on with his neighbours, then he might have become an excellent painter-decorator, and received a big turn out at his funeral, and that would be that. But the genes wouldn't let him.
Every successful painter has worked hard. He cannot rest after having gained a certain degree of facility in drawing, and expect to retain it. He must advance or fall behind. Without practice he will forget; his eye will fail him; and his hand will deny its master.
For a spy novelist like me, the Edward J. Snowden story has everything. A man driven by ego and idealism - can anyone ever distinguish the two? - leaves his job and his beautiful girlfriend behind. He must tell the world the Panopticon has arrived. His masters vow to punish him, and he heads for Moscow in a desperate search for refuge.
My father was also a painter - actually, a traditional Chinese painter. His personality is pretty timid and cautious. Like him, I was growing up as a cautious kid.
The murderer only takes the life of the parent and leaves his character as a goodly heritage to his children, whilst the slanderer takes away his goodly reputation and leaves him a living monument to his children's disgrace.
Everyone has a moment in history which belongs particularly to him. It is the moment when his emotions achieve their most powerful sway over him, and afterward when you say to this person "the world today" or "life" or "reality" he will assume that you mean this moment, even if it is fifty years past. The world, through his unleashed emotions, imprinted itself upon him, and he carries the stamp of that passing moment forever.
Each has his past shut in him like the leaves of a book known to him by his heart, and his friends can only read the title.
When a man leaves home, he leaves behind some scrap of his heart. . . . It's the same with a place a man is going to. Only then he sends a scrap of his heart ahead.
Manny Pacquiao has a whole country behind him. His journey and his rise, from a career standpoint, he was fortunate to have a lot of great opponents and rivalries for years. People forget about Barrera and Morales and those guys. That's how he built his legacy. Plus he had a country behind him.
A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its form merely but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at every attitude.
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