A Quote by Augustus William Hare
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
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In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result,but a greater refinement already than is ever attained by man.... Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.
An artist of understanding and experience can show more of his great power and art in small things roughly and rudely done, than many another in a great work. A man may often draw something with his pen on a half sheet of paper in one day . . . . and it shall be fuller of art and better than another's great work whereon he hath spent a whole year's careful labor.
It will make a weak man mighty. it will make a mighty man fall. It will fill your heart and hands or leave you with nothing at all. It's the eyes for the blind and legs for the lame. It is the love for hate and pride for shame. That's the power of the gospel.
Art is the effort of man to express the ideas which nature suggests to him of a power above nature, whether that power be within the recesses of his own being, or in the Great First Cause of which nature, like himself, is but the effect.
Since the Fall, man had accepted labor as a penance and for its power to work redemption. It was not a law of nature which forced man to work, but the effect of a curse.
Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.
The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies.
In times past...it was my habit to talk glibly of the right of man to land. It was a bad habit, and I long ago sloughed it off. Man's only right to land is his might over it. If his neighbor is mightier than he and takes the land from him, then the land is his neighbor's, until the latter is dispossessed by one mightier still.
If conversation be an art, like painting, sculpture, and literature, it owes its most power charm to nature; and the least shade of formality or artifice destroys the effect of the best collection of words.
Nothing, it appears to me, is of greater value in a man than the power of judgment; and the man who has it may be compared to a chest filled with books, for he is the son of nature and the father of art.
Given a man full of faith, you will have a man tenacious in purpose, absorbed in one grand object, simple in his motives, in whom selfishness has been driven out by the power of a mightier love, and indolence stirred into unwearied energy.
God made every man to have power to be mightier than the events round about him; to hold by his firm will the reigns by which all things are guided.
Man, as the minister and interpreter of nature, is limited in act and understanding by his observation of the order of nature; neither his understanding nor his power extends further.
The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
Greatness by nature includes a power, but not a will to power. ... The great man, whether we comprehend him in the most intense activity of his work or in the restful equipoise of his forces , is powerful, involuntarily and composedly powerful, but he is not avid for power. What he is avid for is the realization of what he has in mind , the incarnation of the spirit .
The greatest error of a man is to think that he is weak by nature, evil by nature. Every man is divine and strong in his real nature. What are weak and evil are his habits, his desires and thoughts, but not himself.
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