A Quote by Augustus William Hare
Most painters have painted themselves. So have most poets: not so palpably indeed, but more assiduously. Some have done nothing else.
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Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.
Some of the most vocal critics of the way things are being done are people who have done nothing themselves, and whose only contributions to society are their complaints and moral exhibitionism.
Today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source. They work from within.
Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture.
Most artists, most painters, even composers would want to come back and redo their work. They've got a new perspective on it, they've got more resources, they have better technology, and they can fix or finish the things that were never done.
I just said let's get some poets on tv. And when they said that sounded unlikely, I made it worse. I said, no man, I want to put a bunch of black poets on stage, too. Some Latino poets who barely speak English and Asian poets who can't believe how discriminated against they are. It was luck nad being in the right place. I wasn't saying nothing somebody else wasn't saying but they wouldn't hear it from them.
In some ways painters have been more important in my life than writers. Painters teach you how to see—a faculty that usually isn’t highly developed in poets. Whether you take a walk in the woods with a painter, or go to a museum with one, through them you notice shapes, colors, harmonies, relationships that enhance your own seeing.
The Intelligentsia (scientists apart) are losing all touch with, and all influence over, nearly the whole human race. Our most esteemed poets and critics are read by our most esteemed critics and poets (who don't usually like them much) and nobody else takes any notice. An increasing number of highly literate people simply ignore what the 'Highbrows' are doing. It says nothing to them. The Highbrows in return ignore and insult them.
Most poets who have little or nothing to say are concerned primarily with the way in which they say it ... if it is true that the style of a poem and the poem itself are one, ... it may be ... that the poets who have little or nothing to say are, or will be, the poets that matter.
More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
Of all forms of visible otherworldliness, it seems to me, the Gothic is at once the most logical and the most beautiful. It reaches up magnificently-and a good half of it is palpably useless.
I think Ginsberg has done more harm to the craft that I honor and live by than anybody else by reducing it to a kind of mean that enables the most dubious practitioners to claim they are poets because they think, If the kind of thing Ginsberg does is poetry, I can do that.
Ancestry is most important to those who have done nothing themselves.
Ignorance is a treasure of infinite price that most men squander, when they should cherish its least fragments; some ruin it by educating themselves, others, unable to so much as conceive of making use of it, let it waste away. Quite on the contrary, we should search for it assiduously in what we think we know best. Leaf through a dictionary or try to make one, and you will find that every word covers and masks a well so bottomless that the questions you toss into it arouse no more than an echo.
Great Poets discover themselves. Little Poets have to be 'discovered' by somebody else.
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