A Quote by Auli'i Cravalho
Moana doesn't have a love interest because this movie is about a journey - a physical one across hundreds and hundreds of miles of ocean, but also an emotional one of Moana finding herself. She doesn't need a man or love interest to find herself.
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I'm not going to hang out with celebrities, I'm not going to parties. I have two songs due for Moana next week, and I'm going to go and spend some time with Maui and Moana in the ocean, in my mind.
On the day when it will be possible for woman to love not in her weakness but in her strength, not to escape herself but to find herself, not to abase herself but to assert herself--on that day love will become for her, as for man, a source of life and not of mortal danger.
So she had to satisfy herself with the idea of love - loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Everyone needs to take that time to figure out who they are. The fact that there's no love interests in 'Moana' - it's all about her - is very relatable. You don't need another person to help you find yourself.
My father took one hundred and thirty-two minutes to die. I counted. It happened on the Jellicoe Road. The prettiest road I’d ever seen, where trees made breezy canopies like a tunnel to Shangri-La. We were going to the ocean, hundreds of miles away, because I wanted to see the ocean and my father said that it was about time the four of us made that journey. I remember asking, 'What’s the difference between a trip and a journey?' and my father said, 'Narnie, my love, when we get there, you’ll understand,' and that was the last thing he ever said.
Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
It was so important that women were involved in 'She's Gotta Have It' because it's about a woman's opinion. It's about her views of herself, and the world around her, and how the world perceives her, and finding that ground for herself - not even a common ground, but that ground for herself in which she can walk on firmly with confidence.
I LOVE RIHANNA. I LOVE THAT SHE IS HERSELF WITH NO APOLOGIES. HER SENSE OF STYLE AND SELF IS UNIQUE. I LOVE HOW SHE TRANSFORMS HERSELF WITH EACH ALBUM, EACH CAMPAIGN. ALWAYS EVOLVING. A TRUE ICON.
Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
Moana is definitely a Disney character, which is something that I totally love. She's totally bad butt: really awesome. I think she really embodies it because I, as someone who has grown up, been born and raised on the island of Hawaii - so, the Big Island - I love my culture.
I love being on camera. And I love knowing what's going on in the world. Diane Sawyer is my favorite. She never seems to lower herself to get the job done. She just always carries herself well. I really admire her.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She's talking about herself in the third person because the idea of being who she is, of acknowledging that she is herself, is more than her pride can take.
I squeeze my eyes shut and try to reach for him across the hundreds and hundreds of miles, to send my thoughts into his mind, to let him know he is not alone. But he is. And I can't help him.
Don't get me wrong: I love 'Moana!' But when it gets to the point where you find yourself singing Disney songs in your dreams, you have an issue.
I don't hate it here," she said automatically. Surprising herself, she realized that as much as she'd been trying to convince herself otherwise, she was telling the truth. "It's just that I don't belong here." He gave her a meloncholy smile. "If it's any consolation, when I was growing up, I didn't feel like I belonged here, either. I dreamed about going to New York. But it's strange, because when I finally escaped this place, I ended up missing it more than I thought I would. There's something about the ocean that just calls to me.
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