A Quote by Austin Grossman

With 'Invincible', I wanted to create my own version of the Marvel or DC universe, with my own heroes and villains. — © Austin Grossman
With 'Invincible', I wanted to create my own version of the Marvel or DC universe, with my own heroes and villains.
I started reading DC stuff much later in my life. You realize that there's a huge difference between the Marvel universe and the DC universe and the characters that own it.
'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
The DC Universe has the best villains in fiction, right? I don't think there's any group of villains collectively or anywhere else that come close to DC's. Joker, Cat Woman, Lex Luthor, are all staples. A lot of the comic book icons are fiction icons.
I wrote and drew my own books on notebook paper, and I'd staple 'em together. I had my own fictional company, and we had our own thinly veiled offshoots of whatever was popular at Marvel and DC at the time.
I still love Marvel to death and I had a great experience, and it was a really tough decision to leave Marvel. It was a very easy decision to come to DC; it was very difficult to leave Marvel. And I really wanted to draw Batman, and really, that was entirely the discussion when it came to coming to DC.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
Evil is relative - and what I mean by that is that our villains are as complex, as deep and as compelling as any of our heroes. Every antagonist in the DC Universe has a unique darkness, desire and drive. And the reason for being of 'Forever Evil' is to explore that darkness.
People look at Marvel movies as epic in scope, but if you look back at the comics, you realise that Marvel heroes were often a reaction to the square-jawed DC characters like Superman, who were flawless and beyond reproach.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
We have a lot of heroes. We have Asian heroes, we have Asian American heroes, men, women, of all ages, and not all of them do martial arts. But that doesn't mean that they don't have their own arcs, their own stories, their own subtleties and nuances. And I think that's what's important.
I wanted to put a reference to masturbation in one of the scripts for the Sandman. It was immediately cut by the editor [Karen Berger]. She told me, "There's no masturbation in the DC Universe." To which my reaction was, "Well, that explains a lot about the DC Universe."
I knew how incredibly rich 'Valerian' was visually and the adventures the heroes go through. They are one of a kind. They have nothing that you can compare with DC or Marvel. They're not superheroes they're just heroes but they're also human beings. And there was also something there that I always liked. In these novels, there was a lot of humor.
The decision to work with Marvel for a while isn't any sort of denigration of DC. I had a fantastic time there, I was treated extremely well, I have strong positive feelings about all of my editors and the DC universe of characters, and I look forward to hopefully working with them at some point down the road.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
Approach your lives as if they were novels, with their own heroes, villains, red herrings, and triumphs.
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