A Quote by Austin Grossman
Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.
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The character can never be static from book to book. People might think you just come up with a new plot and stick this guy in. Well, he has to be as new as the plot every time.
The Hawk and the Dove is a wonderful idea for a book, wonderfully carried out. Nicholas Thompson has used illuminating new material to present each of his protagonists in a convincing, respectful, but unsparing way. Even more valuable, he has used the interactions and tensions between Paul Nitze and George Kennan to bring much of American 20th century foreign policy to life, with human richness ever present but with the big issues clear in all their complexity.
If literary terms were about artistic merit and not the rules of convenience, about achievement and not safety, the term 'realism' would be an honorary one, conferred only on work that actually builds unsentimental reality on the page, that matches the complexity of life with an equally rich arrangement in language.
I'm certainly a plot and character man. Themes, structure, style - they're valid components of a novel and you can't complete the book without them. But I think what propels me as a reader is plot and character.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
The Blood She Betrayed is unique, and Shahkara, the character, is one of the most engaging strong female role models I’ve seen in a long time. This girl can handle herself! The plot is full of ingenious twists, turns and surprises, and I look forward to reading the next book in the series.
Time and time again, the players constantly surprise you and often not do at all what you expect and completely muck up your preparation, and that's kind of the beauty of the game. It wouldn't be as fun to the DM if everything worked out exactly how you thought it would.
Wine makes all things possible. GEORGE R. R. MARTIN, The Mystery Knight A cold wind was blowing from the north, and it made the trees rustle like living things. GEORGE R. R. MARTIN, A Game of Thrones Nothing burns like the cold. GEORGE R. R. MARTIN, A Game of Thrones Laughter is poison to fear.
As in all Abercrombie's books, friends turn out to be enemies, enemies turn out to be friends; the line between good and evil is murky indeed; and nothing goes quite as we expect. With eye-popping plot twists and rollicking good action, Half a King is definitely a full adventure.
My take is that the kind of complexity which says we can always generate complexity from simple interactions following for example rules.
Netflix has such a knack for giving a new life to those B-movies that you thought and hoped no one would ever see. Especially when you have a new project coming out and they're looking to mine some of your lesser-known films.
Nothing bores me more than books where you read two pages and you know exactly how it's going to come out. I want twists and turns that surprise me, characters that have a difficult time and that I don't know if they're going to live or die.
There's gonna be all the twists and turns you would expect and twists and turns you did not expect. The finale is probably the most jam-packed episode there's ever been. Things are packed into it like sardines. All of the life is squeezed in there. They lengthened it to 90 minutes because there's just so much. It's a supersized monstrosity.
Expect nothing, live frugally on surprise. Become a stranger to need of pity. Or if compassion be freely given out, take only enough. Stop short of the urge to plead, then purge away the need. Wish for nothing larger than your own small heart or greater than a star. Tame wild disappointment with caress, unmoved and cold. Make of it a parka for your soul. Discover the reason why so tiny human midget exists at all, so scared and so unwise. But expect nothing, live frugally on surprise.
I'm not trying to create a stand-in or avatar with whom the reader can identify, but separate, believable characters with distinct personalities; I'm trying to place the reader more in the role of observer rather than that of participant. I think this approach comes out of my own personal desire and struggle to understand our world, and the complex interactions of people with one another and their environment. My work is an improvised exploration of this complexity, as opposed to a structured, plot-driven narrative.
I basically expect anything. Isn't that wild? I used to surprise myself a lot: certain moves, how I'd get out of trouble. But at some point, you accept the talent that you have, you accept your creativity.
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