A Quote by Austin Kleon

Art that only comes from the head isn't any good. Watch any good musician and you'll see what I mean. — © Austin Kleon
Art that only comes from the head isn't any good. Watch any good musician and you'll see what I mean.
Good art however 'immoral' is wholly a thing of virtue. Good art can NOT be immoral. By good art I mean art that bears true witness, I mean the art that is most precise.
'Some Kind Of Monster' is such a nightmare for any musician to watch because you're watching a band be honest to each other. Not a good idea, man!
Being a physical specimen doesn't mean you're any good at playing inside. Positioning, using your head, the mental stuff - that's my game. That's what makes a good inside player.
Ignore the mean voice in your head. It never does any good - ever.
Just because you can make an album on a laptop computer in your back bedroom doesn't mean it's going to be any good. Like any 'product', it has to come from a good original idea. There are no shortcuts!
I don't want the national award... I seriously do not need any such thing. I would only want the audience to go and watch the film once and that will be more than enough for me. Once everybody should see the movie and say it is a good watch.
Ask what Infinity might produce and the only answer possible was, "Anything." Any good, any evil; any god, any devil.
I've written a lot of really good books. Now we'll see if I can write any more good books. I mean there's a chance I won't, but I'm going to try.
A good watch may serve to keep a recconing at Sea for some days and to know the time of a Celestial Observ[at]ion: and for this end a good Jewel watch may suffice till a better sort of Watch can be found out. But when the Longitude at sea is once lost, it cannot be found again by any watch.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
It was always inevitable that if you get serious trouble in any family then everybody's inclined to look at the head of that family and see if they see any cause or reason to associate it with the head of the, head of the family, why it should be.
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
In my opinion, the only real asset one has is one's reputation, right? I mean, any company and institution can go belly up at any time. But if you have a good reputation, you know, you can usually find somebody who can - who thinks they can use what you have to offer.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
Art has been good for my soul. And it's been good for my brain. I think I'm a better painter now than I was a musician growing up. You struggle to see things and translate an image through your hands to a canvas.
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