A Quote by Austin Kleon
That’s the thing you have to understand about the whole process of art (or the work that we do) – you’re only half of the equation. It’s an interaction between you and the person who’s going to experience the work. The person who’s going to experience the work is bringing just as much to it and is just as important as you are.
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I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
I told my kids, 'It doesn't matter if this person or that person in the family isn't perfect; this is what you've got. We have to work with that, and if you can't work with that, then you're just jumping into someone else's family, and there's always going to be something missing if you don't work that out.'
I thought, man, if you could run 100 miles, you'd be in this Zen state. You'd be the f**king Buddha. Bringing peace and a smile to the world. In my case, it didn't work. I'm the same old punk ass as ever. But there's always this hope that it'll turn you into the person you want to be. You know, like a better, more peaceful person. And when I'm out on a long run, the only thing in life that matters is finishing the run. For once, my brain isn't going 'bleh bleh bleh bleh.' Everything just quiets down, and the only thing going on is pure flow
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
I need my 'art work' or 'entertainment work' or whatever to have empathy for or connection to the way I experience the world as a person.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
I had the opportunity to work with the one and only Ranveer Singh. It was a great experience for me because his energy and whole aura is so infectious that just keeps you going.
If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.
At an individual level just as much as a corporate level, this notion of if you're not really passionate about the work you're doing in a world of mounting pressure, you're going to experience more and more stress. You're going to burn out. You're going to become marginalized.
This is one of the good parts of being a freelancer - you get to choose the spot you're going to be working at. But I wouldn't base everything on my social media or my work. I'm also a person and I have my personal life. So my social media is my work. It's an important part of my life but it's not my life. People tend to get the wrong idea because they only see the good stuff but it's just my work. I'm trying to portray only the good stuff and what I think is going to be inspiring. I have a personal Instagram where my friends follow me.
The important thing about Paris is not so much that one sees exciting work, but one meets people who feel that art is worth living completely for. This whole atmosphere is very good for work.
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