A Quote by Austin O'Malley

A woman, like a cross-eyed man, looks one way, but goes another--hence her mysteriousness. — © Austin O'Malley
A woman, like a cross-eyed man, looks one way, but goes another--hence her mysteriousness.
Well, Pa, a woman can change better than a man. A man lives, sort of, well, in jerks. A baby's born or somebody dies and that's a jerk. He gets a farm or loses it and that's a jerk. With a woman, it's all in one flow, like a stream. Little eddies and waterfalls, but the river, it goes right on. A woman looks at it that way.
Every woman likes her own way, but no woman can endure to see another woman master even over a man who does not concern her.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
This woman was so cross-eyed. She can go to a tennis match and never move her head.
A man with a hump-backed uncle mustn't make fun of another man's cross-eyed aunt
When I look at him [Edward Heath] and he looks at me, I don't feel that it is a man looking at a woman. More like a woman being looked at by another woman.
The same passions in man and woman nonetheless differ in tempo; hence man and woman do not cease misunderstanding one another.
You know a one eyed woman, she do the best she can. She search the world over trying to find her a one eyed man.
There's no worse way to insult a woman than by saying she looks like a man, but once a woman gets over that, there is no stronger woman.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I am the kind of a woman that likes to move on mentally from point to point, and I like for my man to be there way ahead of me. Then if he is strong and honest, it goes on from there. Good looks are not essential, just extra added attraction.
I eyed her like a thirsty traveler in the desert looks at a pail of water.
When a man meets catastrophe on the road, he looks in his purse, but a woman looks in her mirror.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
Suppose we pick a name for him, eh?" Caius Pompeius stepped over and eyed the child. "He looks a little like my proconsul, Marcus. We could call him Marcus." Josiah Worthington said, "He looks more like my head gardener, Stebbins. Not that I'm suggesting Stebbins as a name. The man drank like a fish." "He looks like my nephew Harry," said Mother Slaughter... "He looks like nobody but himself," said Mrs.Owens, firmly. "He looks like nobody." "Then Nobody it is," said Silas. "Nobody Owens.
Seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.
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