A Quote by Austin Rivers

I grew up playing against Michael Carter-Williams. — © Austin Rivers
I grew up playing against Michael Carter-Williams.
I grew up playing sports, so I think of what it would be like to be in the NBA if you were a great player when Michael Jordan was playing. You could've been a phenomenal player, but you're in the Jordan era. That's the unfortunate thing about the competitive nature of entertainment. But we know what we signed up for.
I started when I was five, and grew up playing against adults and against men most of the time.
A lot of my friends, they think I grew up to rock and roll, but I didn't. I grew up to Hank Williams, Jimmy Reid, Howlin' Wolf, listening to a race record, blues.
Basically, I grew up watching Carter girls on stage, watching my grandmother, my mom and my aunts perform. They used to say, 'Okay, Carter girls, you're on!'
I always found it a great challenge playing against Michael Jordan, to play against Magic Johnson, to play against Larry Bird, to play against all those good players because it's something that you can take away from it.
My first NBA game was in Paris. It was Miami against the Nets, and Vince Carter was playing.
I remember the Vince Carter Raptor days: playing all the video games with him. Playing against him is one thing; having a chance to learn from him is a whole - another level of excitement.
I grew up playing with kids who were the kids of people my parents grew up playing with, and they know me like nobody else. I thought everybody was that way when I was growing up, and then I left to go to college, and I realised that the world is full of strangers.
Michael Sanchez and I grew up in New Jersey, not far from here, playing soccer together. When I was in high school, I worked to start an organization to help senior citizens, which I learned a great deal from.
I grew up falling in love with music videos and those images: Hype Williams and Mark Romanek, David Fincher and Diane Martel and Paul Hunter, just from the video side. I grew up also watching a lot of independent films and foreign films.
I grew up playing against friends and cousins in the park and it was some of the most competitive cricket I have played.
I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you; each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.
Driveway basketball, playing against the boys, watching Magic and Michael.
I grew up playing guitar in the late Nineties, early 2000s, so a very acoustic-driven pop-rock era, and then in college, I started listening to Jason Isbell and Kacey Musgraves. Then I really fell in love when I discovered really old country, like June Carter Cash - one of my all-time favorites.
One day in 1959, when Huddersfield were playing Cardiff City, Tom (T.V.) Williams, who was then chairman of Liverpool, and Harry Latham, a director, came down the slope at Leeds Road to see me. Mr Williams said, 'How would you like to manage the best club in the country?' 'Why, is Matt Busby packing it up?' I asked.
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