A Quote by Ava Max

I don't have one song about partying. — © Ava Max
I don't have one song about partying.

Quote Topics

We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
When I composed a song on Bhagat Singh, it flopped. But my other songs about partying and all that are superhits!
There are guys, the weekenders, who can go out and get loaded and they're having fun and partying - which is a term I deplore, partying - and it's all recreational and they're having a ball. I never had that. It was never about recreation. Not. Ever. That was never my motivation. Not once!
There's a song on there called 'Slow Down,' and it's about a girl who could be wifey but is just moving to quick, partying; needs to slow down. A lot of ladies can relate; they might know someone or be that girl.
I'm a true believer in working hard and partying hard. I'm fortunate to be one of those people who can have just as much fun partying without alcohol.
The inertia that you get from partying pays back energy to keep you partying. So, if I get tired, I just party some more, and then I feel better.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
When I'm singing a song, I'm in that song, and I'm thinking about what emotions I should bring to the song. Voicing a character was very similar. It was high energy, and I had to really think about the emotion of what was going on in the scene.
I like being at home with my music and my books. I’ve done all the partying, I’ve done enough partying for four or five people as a young fella. But now I like the quiet life.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
I actually did a project with my puppet one time in fourth grade. I made up a song that went with the rhythm to a song I do now. And I had to make up a song about a penguin and research and put information in the song about a penguin. And I sang it with my duck, because I didn't have a penguin puppet, but close enough.
These guidelines are extraordinarily important. It's about social distancing, it's about washing your hands. It's about ensuring that you're protecting yourself and protecting others. It's not about partying on beaches during spring break.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
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