A Quote by Avi Arad
For me, the toughest thing for kids to deal with is when the parents are fighting. It's not violence on them - it's the feeling of violence in the family.
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I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
I don't mind violence, but it's quite an interesting thing for people to deal with. I don't know many people that like fighting. I certainly don't, myself. But it's always interesting to work on a shows where there's so much violence, as a part of the world.
The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy... In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
Writing 'Deathstroke' presents a number of challenges to me. As a Christian, as a minister, it's difficult for me to write a comic book that all but glorifies violence. So my take on 'Deathstroke' has been to not so much celebrate violence but to deal with the consequences of violence.
I've never trained anyone that I haven't known as a child. I knew Kirkland when he was 12. Every one of them I started training when they were kids. This is not about just the fight game for me. It is a sport for troubled children that are drawn to violence and that type of life. Boxing has that violence part in it, but it also has structure and dedication and the whole nine yards. You get that little bit of violence that you were drawn towards, but it can save a lot of kids.
In Chicago, which has the toughest gun laws in the United States, probably you could say by far, they have more gun violence than any other city. So we have the toughest laws, and you have tremendous gun violence.
To destroy governmental violence, only one thing is needed: It is that people should understand that the feeling of patriotism, which alone supports that instrument of violence, is a rude, harmful, disgraceful, and bad feeling, and, above all, is immoral.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
Behind every person who’s committed an unimaginable crime is an adult who committed unimaginable violence against them as a child. All of them, as if it was plotted that way. Violence begets violence, and that violence begets even more violence.
Kids and violent TV, violent TV and violence, violence and kids. The only people missing from this discussion are the parents. Where are we? Gone. Abdicated.
I've told the kids in the ghettos that violence won't solve their problems, but then they ask me, and rightly so; "Why does the government use massive doses of violence to bring about the change it wants in the world?" After this I knew that I could no longer speak against the violence in the ghettos without also speaking against the violence of my government.
I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
Guns have little or nothing to do with juvenile violence. The causes of youth violence are working parents who put their kids into daycare, the teaching of evolution in the schools, and working mothers who take birth control pills.
We are convinced that non-violence is more powerful than violence. We are convinced that non-violence supports you if you have a just and moral cause...If you use violence, you have to sell part of yourself for that violence. Then you are no longer a master of your own struggle.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
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