A Quote by Avi Arad
There is a director who should make 'Silver Surfer' - he is mentally committed to it. He's doing another movie now. What's most important to me about this guy, first, is that he's incredible with visuals. But he's also a spiritual guy, a Zen Buddhist. ... Galactus is a force of nature, not a being. That's all I'm saying.
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One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
And finally, be assured that Zen asks nothing even as it promises nothing. One can be a Protestant Zen Buddhist, a Catholic Zen Buddhist or a Jewish Zen Buddhist. Zen is a quiet thing. It listens.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
The most important to me is, Theo is a good person first and foremost. And I think that has a lot to do with it. He's not deceitful. He's an honest guy, a good guy. There's a lot more to this thing than it being a job for him, being born and raised here, the Red Sox being as important as they are to him. Above all else, Theo understands he's a compromiser. Theo understands that the clubhouse is our home. He doesn't invade that privacy often. When he does, he doesn't make you uncomfortable and that says as much about him as anything.
Apart from the underlying mystery of all things, there is also another possible specific mystery in this situation: Why did I become so interested in Buddhism, Zen and so on? I seem to have a Buddhist voice in my head, and someone asked me about this recently, saying he was intrigued.
I'm much more Buddhist. I mean, I'm not a Buddhist. I should be so lucky to be a Buddhist, a real Buddhist, but of all the things I investigated, that seems to make the most sense to me.
I strongly feel, for me to act in any movie, the director of the movie should be known to me. Though this fact should not be important for most artists. But, you can either call me shy or traditional in my thinking - but this is an important aspect for me to sign movies.
I am not in the favour of a girl running after a guy. My traditional thinking is that a guy should pursue first. Personally, also, I would never run after a guy.
Most of the time when you see a movie, the best character in the movie is not "the guy," it's the guy next to the guy.
The spy genre is something I loved.It also extends to the bad guy because I think, to me, what I love the most about the spy genre is when you have a great bad guy. What makes a great bad guy, to me, is the logic. What he's about has to make sense to me, that if I was in his shoes, yeah, right, that makes sense.
The great achievement of Zen Buddhism, and all of its cultural expressions in painting or the tea ceremony or rock gardens, is a rejection of earlier Buddhist ideas which were dependent
upon narrative - all the mythological creatures that populate the Buddhist galaxy. Zen insisted on the real located in nature.
I learned this lesson very quickly when I came into the NBA: Almost all the media and accolades go to the No. 1 guy. But if you're building a team, the most important player is the No. 2 guy. Because if the No. 2 guy wants to be the No. 1 guy, you have a major problem.
In most science-fiction pictures, the black guy is either an engineer or a radio operator, and he is the first guy killed - gone from the movie.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
I can play a Jewish guy, another Jewish guy, and then another Jewish guy, and then maybe a Cuban guy. Or at least a Middle Eastern guy. But for me, they're all Jews.
Robert De Niro's sort of like a surfer: he doesn't really force anything. So if he catches the wave, or something spills out - to watch a guy be a force at what he does. He has a good worth ethic.
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