A Quote by Avi Kaplan
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
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I wanted to convey the message of how I do what I want and how I run my own business, and I'm a woman in charge. I want all of my fans to know that that's possible and feel empowered when they listen to my music.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
It isn’t necessary to know exactly how your ideal life will look; you only have to know what feels better and what feels worse…Begin making choices based on what makes you feel freer and happier, rather than on how you think an ideal life should look. It’s the process of feeling our way toward happiness, not the realization of the Platonic ideal, that creates our best lives.
We know how hard we've worked, we know how our choreography makes us feel empowered. We have our voices, which are incredible and kind of surpass anything else.
If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.
It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
If Jesus Christ were to sit down with us and ask for an accounting of our stewardship, I am not sure He would focus much on programs and statistics. What the Savior would want to know is the condition of our heart. He would want to know how we love and minister to those in our care, how we show our love to our spouse and family, and how we lighten their daily load. And the Savior would want to know how you and I grow closer to Him and to our Heavenly Father.
On 'Queer Eye,' I really get to see the way someone lives. They know the Fab Five are coming, but they don't know when or how, so our producers make sure they don't clean up so that we can experience exactly how they normally live.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
I can be. I do not normally try to be. In fact, there have been some reviews - which I've loved - that said I didn't
try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a
bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
I know," she said, guessing my thoughts. "I know exactly how you feel." "Does it get easier?" I asked. Unlike Sydney, Olena had an answer. "Yes. But you'll never be the same.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
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