A Quote by Avicii
I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.
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Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I'm just inspired by life and, growing up, I listened to all types of different sounds, genres, and areas of music.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.
My greatest influence came from my parents' love of classical music. We listened to a lot of arias and operas growing up.
I listened to a lot of female pop music growing up. I started to realize that there were women out there wanting to stay something, playing instruments and writing their own songs.
I just like blending all the genres together but blending them up in a good way. I try to be as free as I can with it.
I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
I was listening to punk rock in the '70s as a young kid, but all by myself; I never met anyone that listened to that kind of music. Just by chance, I was in detention, and one of the guys in the class was Van Conner... I started talking to him and found out that we listened to some of the same music.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.
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