A Quote by Avril Lavigne
When people come to a concert, they wanna hear the hits, the big radio songs, and they wanna hear them how they're used to hearing them. I like playing them how they were recorded.
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Main thing, really, is I write songs the way I wanna hear them and the way I think the people that come to our shows wanna hear them.
A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I wanna hear it, I wanna hear it from each and every one of you. I wanna hear it from the kids, the men, the women. I wanna hear it from every single person in this arena. I want you to stand up out of your seat, I want you to get up and do what you should have done a long time ago! I want you to admit that you were wrong! All of you! You all were wrong! Each and every single one of you! I made it!
I wanna hear some Diana Ross, I wanna hear some Marvin Gaye. I wanna hear a song that reminds me of a better day.
I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.
I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
I don't wanna ever make jingles. I wanna do something that changes people's opinions and provokes thought and makes them think about how they should live their life and how they can better themselves and empower themselves.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
As an actor you always wanna protect your character. You wanna make them loveable, likeable. You wanna make them strong, you want them to be the hero, you want them to always be right.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I just embrace all people of all lifestyles and I don't tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don't have anyone to tell them that and mean it, I'm gonna tell them that. But I feel like people always wanna define me and I don't wanna be defined.
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