A Quote by Avril Lavigne

She had a pretty face, but her head was up in space. — © Avril Lavigne
She had a pretty face, but her head was up in space.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
Charlie had Sophie strapped to his chest like a terrorist baby bomb when he came down the back steps. She had just gotten to the point where she could hold up her head, so he had strapped her in face-out so she could look around. The way her arms and legs waved around as Charlie walked, she looked as if she was skydiving and using a skinny nerd as a parachute.
she was glad she had been scarred. She said that whoever loved her now would love her true self, and not her pretty face.
She looked at David closely, and the feeling was still there. She could see that his forehead was too high, that a small scar cut a white stroke through his eyebrow. And his smile was pretty crooked, really. But it was as if something had changed inside Tally's head, something that had turned his face pretty to her.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
At the very last moment, just before its lips claimed hers, its grip on her face relaxed slightly and she did the only thing she could think of: She head-butted it. Snapped her head back, then forward again, and bashed it square in the face as hard as she could. So hard, in fact, that it made her woozy and gave her an instant migraine, making her wonder how Jean-Claude Van Damme always managed to coolly continue fighting after such a stunt. Obviously, movies lied.
She wore so much thick white makeup in order to conceal her naturally rosy complexion that if she turned around suddenly her face would probably end up on the back of her head.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
The thought that, insignificant as she was, she yet might do some good, made her very careful of her acts and words, and so anxious to keep head contented and face happy, that she forgot her clothes, and made others do the same. She did not know it, but that good old fashion of simplicity made the plain gowns pretty, and the grace of unconsciousness beautified their little wearer with the charm that makes girlhood sweetest to those who truly love and reverence it.
Hey." She said, looking up from an open book propped up on one knee. She brushed a few strands of pale hair out of her face. Her boyfriend, Christian, lay on the floor near her, his head propped up on her other knee. He greeted me by way of a nod. Concidering the antagonism the sometimes flared up between us, that was almost on par with him giving me a bear hug.
Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.
Was it all in my head? A Lunar trick?” Her stomach twisted. “No.” She shook her head, fervently. How to explain that she hadn’t had the gift before? That she couldn’t have used it against him? “I would never lie—” The words faded. She had lied. Everything he knew about her had been a lie. “I’m so sorry,” she finished, the words falling lamely in the open air. Kai peeled his eyes away, finding some place of resignation off in the glistening garden. “You’re even more painful to look at than she is.
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
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