A Quote by Avril Lavigne
It's easiest to write songs when I'm either really in love or really mad at a guy. It's just always best when I'm feeling superemotional.
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Most of the time I write my best songs just from feeling a strong emotion, so whether I'm just really angry or really sad or really happy, I immediately sit down at a piano and I begin writing a song.
I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
I learned that the songs that mean the most to me are the songs that I write by myself. While there were people I wrote really well with, particularly Gary Nicholson and Delbert McClinton, and I really enjoyed the experience, I came away from it feeling like I need to write by myself.
I love writing Christmas music. It's some of the easiest songs to write... You draw from your own memories - it's kind of a wellspring of inspiration, in a way. With other songs, you know, you spend six months just trying to figure out what to write about.
All the best songs are, I think, the easiest write because they just come out.
I love all kinds of music, and I would write really traditional country songs and songs that were just really out there, that didn't sound country at all, and everything in between.
I love pop songs so much and I don't put a ton of pressure on myself as a solo artist to always write the most commercial feeling thing, I just want to write things I would love to listen to.
We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
Forever, it was just soccer - passion, life, love. Then I got married, and I had to transfer some of my energy. I want to be my best for my country, but I also made a really big promise and choice to be the best in my marriage. That has not always been the easiest thing to manage.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
I'm either really, really mad and out of control or just, y'know, done.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
Whenever I write songs, it's my outlet for a certain feeling. I just don't as often feel compelled to write when I'm not really sad about something, or wanting to sort through something dark.
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