A Quote by Awkwafina

If you don't address race, then people are like, 'Why don't you talk about the elephant in the room?' But you have to do it right. It can't be gimmicky. — © Awkwafina
If you don't address race, then people are like, 'Why don't you talk about the elephant in the room?' But you have to do it right. It can't be gimmicky.
How many African American champions have there been over the course of WWE's history? It's something that was the elephant in the room. Nobody wanted to talk about it, but it was important for us to address it.
We all know the big elephant in the room. The big elephant in the room is African governments. Africa has been totally mismanaged and misruled, but nobody wants to talk about that because of political correctness.
I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.
I'm a businessman who puts up his own money, so I don't have time to hear about emotion. I gotta get right to the point. I'm going to tell you the truth, I'm going to address the elephant in the room, and we'll all move forward.
I feel like, if there's an elephant in the room, I'd really like to start off by introducing the elephant in the room. And sometimes it's funny.
Patriarchy is like the elephant in the room that we don't talk about, but how could it not affect the planet radically when it's the superstructure of human society?
Patriarchy is like the elephant in the room that we don't talk about, but how could it not affect the planet radically when it's the superstructure of human society.
You go, well you can't joke about race. Well if you're from a different race and that's your experience of the world and you want to talk about that, then fine. Or you can't talk about disability, but disabled comics can talk about that.
I want to sometimes talk about race and sometimes not talk about race, but mainly just do silly voices and pretend to be like strange people, and having people be like, 'That's fine, we accept that.'
When I talk about intersex, people ask me, 'But what about the locker room?' Yes, what about the locker room? If so many people feel trepidation around it, why don't we fix the locker room? There are ways to signal to children that they are not the problem, and normalization technologies are not the way.
Obviously, race is the elephant in the room, and we all understand that. Unless it is talked about constantly, it's not going to get better... people have to be made to feel uncomfortable, and especially white people, because we're comfortable. We still have no clue what being born white means.
Race in this country is still the elephant in the room that no one wants to discuss.
Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
For example, after developing a sound similar to an elephant trumpeting, I wrote the song Elephant Talk which gave my elephant sound an appropriate place to live.
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