A Quote by Awkwafina

I was working a corporate job, but I really wanted to do music. — © Awkwafina
I was working a corporate job, but I really wanted to do music.
Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.
Whether youre working in corporate America or youre a journalist, construction worker, a teacher or an actor - were all trying to keep working. If one job is ending, you look for another job. When Psych ends, I will be looking for another job.
I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
A lot of the music editing job is communication and working out what a director really wants the music to be.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
My first job ever was at Baskin-Robbins when I was 14, which is probably the closest I'll ever come to having a corporate job like the one I play on TV - although I do work for Universal, so I suppose that's corporate.
When I moved to New York, I really wanted to find my bread job as close to my passion as possible. There's nobility in waiting tables. But I really wanted to find a job in the arts, and so I started teaching.
My dad had a steady job with a really major dance band from '54 till '68, and then quit because he wanted to play different music. He wanted to sing about peace. He believed in these things.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
All I wanted to do was to perform my music, so I never really thought about photo shoots or music video shoots or interviews. You can't anticipate those things - you just can't plan this as a job.
I never really planned on any of this being a career; all I knew for sure was that I wanted to create, I wanted to play music, and I wanted to share music.
We wanted to incorporate lights and the like to really accentuate the music. We play mostly small venues, so we don't use it overboard by any means. The most important thing is the music. I think we do a good job of letting that show.
I never wanted to be a reporter. I took a job at the New York Post as a clerk because I couldn't get a job in magazines, which is what I really wanted to do.
What I decided was I'd be happier not being in the confines of a corporate infrastructure producing music. That's when I was free, and it opened up the door to have a different personality and incarnations. That's really when I had success in my music life. I was able to license my music.
Obviously spending my teenage years in music, and in popular music, I wanted to continue this career, but in a way that allows me to dictate it and create it myself as opposed to relying on third party or more corporate decision making.
Every time the industry gets powerful, and corporate thinking dominates what the music is, then the music really pales.
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