A Quote by Awkwafina
I like to rap about things that are funny but mostly things that are relatable. I remember there was this one song with Ja Rule, and I forgot, exactly, but it was with Ashanti, and there's a line in it that was like, 'She hit me up on AIM.' But that wasn't the actual line; it was something else, but I was like, 'Oh my God, he uses AIM!'
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To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
I really embrace things that I think people who like music can relate to, they grew up with the same stuff and know the same references so when they hear it being used as a metaphor to something else they'll be like that's unique, or funny or something that's relatable to me.
I love Ashanti, so that was my thing. I liked that whole era. I don't know what to call that era but that feel good thing. Like Ja Rule, all of that. I like Cam'ron, Fabolous, all of that.
I have an aim - I have a clear aim in my mind, and the aim is that I do not like what I see in Indian politics; it is something that is inside my heart.
The aim of political institutions like the United Nations is to draw the line between struggle and conflict and to make it possible for nations to stay on the right side of that line.
The song that's mostly changing my career or made the biggest impact on my career would be 'Catch Me Outside.' Mainly because it hit YouTube, and that was, like, my first-ever video, so people never really seen what I looked like or knew exactly what I was about, so that was, like, the first taste of what they got.
Marie Antoinette was funny, I'm sure she was just misinterpreted. You know the 'Let them eat cake' line. She seems like she was kind of funny, like a Chelsea Handler or Kathy Griffin type.
When "Here Comes the Sun" started, what happened? No, the sun didn't come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there's something about George's guitar that's just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused. "Oh Bee," she said. "This song reminds me of you." She had tears in her eyes.
I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.
I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.
The truth is what facts are. I like facts. I like things to line up and be clear, and when we are honest and true about things, it helps things to make sense, and it cuts out a lot of the fat that gets in the way and causes for the misunderstandings that I believe lead to violence and... dysfunction, etc.
The aim of talk should be like the aim of a flying arrow -- to hit the mark; but to this end there must be a mark to hit, that is, there must be a listener.
Just to get into a company like ABT is a dream come true, but to have all of these opportunities on top of it, I don't think it will hit me until I'm 70. I'll be like, "Oh, my god, remember that amazing life you had?" It's an incredible honor to be a part of something like ABT.
You should never get set over the ball and then aim your putter face. If you do it in that order, you can easily lose sight of your intended line. Instead, aim the face down your line first, then settle your body into position.
When I hear somebody like Hayes Carll write a song that's touching and poignant and sad and funny all at the same time, it motivates me to step my game up and try to figure out a way to get more different emotions into one line or one song.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
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